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MOONLIGHT WATER

A strangely dispassionate affair with a picturesque Southwest setting.

After a burned-out rock star trashes his old life, he resettles in an unlikely community, hoping the desert air will clear his head.                 

This is the first collaboration by Win Blevins, who’s primarily a historical novelist (Dreams Beneath Your Feet, 2008, etc.) and contemporary novelist Meredith Blevins (The Red Hot Empress, 2005, etc.). Appropriately, it intertwines the former’s deep and abiding interest in Native American culture with his wife’s skills in crafting romance between unlikely companions. The main character is a rock star living rough in San Francisco; Robbie Macgregor performs under the stage name Rob Roy with his popular band, the Elegant Demons. Robbie’s wife has just left him for her lesbian lover, and his inner demons are catching up with him. After a visit to his grandfather’s ashes, he decides to fake his own death. Confiding only in Gianni, his longtime business manager, Rob sets off for the wilds of America. Changing his name (and indeed, his entire personality) to “Red Stuart,” the former rock star winds up in Moonlight Water, a quirky artist’s colony deep in Mormon country that is largely populated by the Navajo people. There, he comes under the tutelage of a village elder, Winsonfred Manygoats, and quickly falls in love with Zahnie Kee, a local police officer. It’s pretty syrupy stuff. “A glorious, cool-shadowed twilight. Nary a sign of any bad guys. And the play of words and eyes of two people who were soon to be lovers, and knew it, and loved life, and the air, and the way they inhabited the world,” the authors write. Red also gets involved in a dust-up with a local thug named Wayne Kravin over the theft of Native American artifacts from the local ruins, and there’s a largely telegraphed betrayal, but neither situation generates any real tension.

A strangely dispassionate affair with a picturesque Southwest setting.

Pub Date: Jan. 13, 2015

ISBN: 978-0-7653-1994-4

Page Count: 320

Publisher: Forge

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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