by Wolfgang W. E. Samuel ‧ RELEASE DATE: Sept. 1, 2000
It is hard to imagine that Samuel, as a boy, struggled to translate “Hast Du genug fur Heute?” (“Do you have enough food for...
First-time memoirist Samuel tells the story of life after WWII.
The author’s father was a Luftwaffe officer during the war. As the Reich begins to collapse in 1945, ten-year-old Samuel, his mother, and his sister flee Germany, making a terrifying and pitiful home for themselves in refugee camps. Eventually the family returns to Strasbourg, where Samuel begins to come to grips with two evils: the Nazi regime that ruled during the war, and the Communist apparat he now has to contend with. Later on his family moves to America, and (as we learn in the epilogue) Samuel goes on to serve in the US Air Force for three decades. The descriptions of the horrors of war and its aftermath are a touch too predictable to hold the reader’s attention, but Samuel’s portrait of life in Germany (especially in the innocent days before the Reich crumbled) are lovely and evocative and manage to humanize German civilians under Hitler. Especially moving are Samuel’s descriptions of his grandparents, Oma and Opa Samuel. They were the one sure source of love in young Samuel’s life—his mother never had a kind word for him, and she often pummeled him with a rug beater or locked him in a broom closet for hours on end. Oma is a font of wise aphorisms, however, and Opa subtly teaches Samuel to resist the Reich (instructing him to greet people with “Guten Morgen” instead of “Heil Hitler”). “My grandparents’ house was full of mysteries,” Samuel writes, as he goes on to describe his exploits in the Green Room (so-called for its thick, verdant velvet) and his first taste of liquor at his Opa’s knee.
It is hard to imagine that Samuel, as a boy, struggled to translate “Hast Du genug fur Heute?” (“Do you have enough food for today?”) into English—for now his prose sings (or, at least, whistles and hums some lovely tunes).Pub Date: Sept. 1, 2000
ISBN: 1-57806-274-8
Page Count: 372
Publisher: Univ. Press of Mississippi
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
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BOOK REVIEW
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
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