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NINE CONTINENTS

A MEMOIR IN AND OUT OF CHINA

A rich and insightful coming-of-age story of not only a woman, but an artist and the country in which she was born.

A gripping memoir about growing up in—and leaving—China, from one of Britain's most acclaimed young novelists.

Guo (I Am China, 2014, etc.) spent most of her childhood unwanted: first, by parents who gave her away to a peasant couple, and later, by those adopted parents, who returned her as a sickly 2-year-old child to ailing, illiterate grandparents in a struggling fishing village. Poor, emaciated, and uneducated, Guo experienced a harsh childhood scraping by on rice porridge and the promise a Taoist monk made to her and her grandmother: "The girl is a peasant warrior….She will cross the sea and travel the Nine Continents." When the author’s parents came to reclaim her following her grandfather's suicide, her long and often heartbreaking journey to making that prediction come true began. In the communist compound of Wenling, she lived as the "unwanted one," beaten by her mother, ignored by her older brother, and abused by her community. Her love of art kept her going until she landed a coveted spot at the prestigious Beijing Film Academy. However, even in a city overflowing with culture and rebellion, oppression and censorship reigned supreme, and it wasn't until a scholarship from England granted Guo the opportunity to leave China that she was able to find artistic and personal freedom. After a decade abroad, the birth of her daughter forced her to return home to confront her family and the tragedies of her past. In evocative, captivating prose that reads like fiction, Guo brings to life her lifelong struggles against the chains of poverty, gender, and censorship. A talented wordsmith, she unabashedly lays bare her personal history with raw emotion and unflinching honesty, and she is unafraid to express her anger, disappointment, or joy at every turn.

A rich and insightful coming-of-age story of not only a woman, but an artist and the country in which she was born.

Pub Date: Oct. 10, 2017

ISBN: 978-0-8021-2713-6

Page Count: 336

Publisher: Grove

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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