Broad-ranging, introspective, and honest essays that reveal a fine writer’s experiences, mind, and heart.

THIS FISH IS FOWL

ESSAYS OF BEING

A novelist and essayist with a peripatetic life returns with a collection of recent and revealing pieces that range from the intensely personal to the analytical to the appreciative.

Xu Xi, who writes in English, has published a number of novels (That Man in Our Lives, 2016) and a memoir (Dear Hong Kong, 2017). Here, she collects 30 tight essays—many previously published—and arranges them, sometimes chronologically, in four categories. Among the most wrenching are those dealing with her mother’s long descent into Alzheimer’s and the author’s care for her (“the typhoon that was my mother’s Alzheimer’s changed my world, shifting all its known compass points”). The author is also candid about her two divorces, her current and long-lasting relationship with another man, and her brother’s death. She also writes affectingly about writing itself: why she writes in English (she says her Chinese is not all that good) and how she, in some ways, disappointed her mother, who did not eagerly approve of her daughter’s decision to become a writer. The author also chronicles a long process of decision about what she should do besides write—something that would earn her a steady, predictable income. She was in the corporate world for a number of years and then moved into academe, where she now works as the co-director of the MFA program in creative writing and literary translation at the Vermont College of Fine Arts. In one essay, the author discusses how she likes to “loaf,” but these essays reveal a writer who is intensely focused on her work. There are a few political pieces, as well, including one that features, woven throughout, letters to Hillary Clinton, whom the author supported during the 2016 election. (She zings the winner of that election a few times, too.)

Broad-ranging, introspective, and honest essays that reveal a fine writer’s experiences, mind, and heart.

Pub Date: March 1, 2019

ISBN: 978-1-4962-0682-4

Page Count: 304

Publisher: Univ. of Nebraska

Review Posted Online: Dec. 4, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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