by Yael Kohen ‧ RELEASE DATE: Oct. 16, 2012
A fresh topic explored in a unique, satisfying manner.
Marie Claire contributing editor Kohen uses Christopher Hitchens’ infamous 2007 Vanity Fair article “Why Women Aren’t Funny” as her pivot point for exploring the obstacles faced by women in the male-dominated comedy business.
The author traces the path of female comedians beginning in the 1950s with Phyllis Diller, “the prototypical female stand-up,” and “the mother of sketch comedy,” Elaine May, through the current lineup of popular female comedians such as Sarah Silverman, Tina Fey, Chelsea Handler, Aubrey Plaza and Emily Spivey. Kohen successfully weaves the stories into an entertaining timeline illustrating women’s increasing presence in American comedy. Writers, talent agents, club managers and comedians discuss a range of subjects, including the evolution of comedy styles, the role of TV, especially Saturday Night Live, and the different types of venues (including YouTube) and individuals who have helped or hindered women’s rise in the business. Kohen notes that during the 1970s, the hiring of female TV writers led to lively female characters, such as the women of The Mary Tyler Moore Show. This shift fostered a period of mentoring of women writers by “the powerful men who spent the decade transforming the sitcom,” including Norman Lear, Garry Marshall and Carl Reiner. Taken together, the interviews provide an inside look into the sometimes-turbulent relationships among the stand-up and sketch comedians, club owners, writers, producers and TV executives. Kohen intersperses illuminating bits of narrative among the oral history accounts, adding context and depth to her subject. “Stand-up is arguably the hardest form of comedy,” she writes. “There are no props, magic tricks, partners or music to fall back on. It’s just the comic, alone in front of the microphone under the spotlight. When they fail, they ‘die,’ when they succeed, they ‘kill.’ ”—as does this book.
A fresh topic explored in a unique, satisfying manner.Pub Date: Oct. 16, 2012
ISBN: 978-0-374-28723-8
Page Count: 336
Publisher: Sarah Crichton/Farrar, Straus and Giroux
Review Posted Online: Aug. 5, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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