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WE WERE THE FUTURE

A MEMOIR OF THE KIBBUTZ

An eye-opening look at a fascinating era in Israeli history and what happens when a child is part of a sociopolitical...

One woman’s remembrances of youth in the kibbutz.

Neeman was born in 1960 in Kibbutz Yehiam, a particularly vulnerable and nonarable piece of land when it was first settled in the 1940s. The author describes not only her own experiences of growing up in kibbutz culture, but also the violent and activist story behind the concept. In a socialist and humanist experiment quite removed from any religious connection to Judaism, the founders of the kibbutz were dedicated to communal living, which included the group-rearing of all children. Neeman, like all of her peers, only saw her parents for just under two hours per day. The rest of the time they lived in tiny communal groups—the author’s was called the Narcissus Group—which did everything together, from sleeping to showering, without regard for gender or individuality. While many of her early memories are bucolic and whimsical, there is a continual contrast to the utter violence into which the kibbutz was born and the threat under which it still lived throughout Neeman’s childhood. Located near the Lebanese border, Kibbutz Yehiam spent much of 1948 warding off sieges by the Arab Liberation Army, while a lack of food and water were also constant threats. Later, only through backbreaking labor was the land reclaimed from its original rocky character, allowing crops of bananas and other foods. Neeman left the kibbutz at age 12 to enter a collective educational institution, another twist in her story. Though the author is stoic in her attitude toward her youth, it is clear that the experiment in collective education left the children with great emotional and social gaps. Her narrative leaves an impression that she is still struggling to understand how this unusual upbringing shaped and affected her.

An eye-opening look at a fascinating era in Israeli history and what happens when a child is part of a sociopolitical experiment.

Pub Date: Nov. 1, 2016

ISBN: 978-1-4683-1356-7

Page Count: 256

Publisher: Overlook

Review Posted Online: Sept. 7, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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