Next book

THE NIGHT TIGER

Choo has written a sumptuous garden maze of a novel that immerses readers in a complex, vanished world.

A young houseboy and a dressmaker’s apprentice get drawn into a mystery in 1930s Malaya.

It is May 1931, and 11-year-old Ren’s master, Dr. MacFarlane, is dying. Before he takes his last breath, MacFarlane gives Ren a mission: Find the doctor’s missing finger, amputated years ago and now in the possession of a friend, and bury it in his grave before the 49 days of the soul have elapsed. In another town, Ji Lin has given up dreams of university study to sew dresses during the day and work a second job in a dance hall; one evening, she is approached by a salesman who presses something into her hand during a dance: a severed finger in a glass specimen tube. By the next day, the salesman is dead—and his won’t be the last mysterious death to plague the area. Ji Lin’s search for the finger’s owner and Ren’s search for the digit itself eventually draw the two together and in the process ensnare everyone from Ji Lin’s taciturn stepbrother to Ren’s new master and his other household servants. Choo (The Ghost Bride, 2013) continues her exploration of Malayan folklore here with questions that point to the borders where the magical and the real overlap: Is someone murdering citizens of the Kinta Valley, or is it a were-tiger, a beast who wears human skin? Can spirits communicate with the living? Should superstitions—lucky numbers, rituals—govern a life? Choo weaves her research in with a feather-light touch, and readers will be so caught up in the natural and supernatural intrigue that the serious themes here about colonialism and power dynamics, about gender and class, are absorbed with equal delicacy.

Choo has written a sumptuous garden maze of a novel that immerses readers in a complex, vanished world.

Pub Date: Feb. 12, 2019

ISBN: 978-1-250-17545-8

Page Count: 384

Publisher: Flatiron Books

Review Posted Online: Nov. 12, 2018

Kirkus Reviews Issue: Dec. 1, 2018

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 26


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

Awards & Accolades

Likes

  • Readers Vote
  • 26


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

Next book

THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

Close Quickview