Choo’s multifaceted tale is sometimes difficult to follow with its numerous characters and subplots, but the narrative is so...

THE GHOST BRIDE

A young woman risks giving up the ghost as she roams the afterlife in Choo’s fascinating debut set in 1893 colonial Malaya.

Young Li Lan’s family was once rich and respected, but since her mother succumbed to smallpox when she was 4, her father, scarred from his own near-fatal struggle with the illness, has squandered the family fortune in a haze of opium. But she’s still shocked and disturbed when her father asks her if she’ll consent to become a ghost bride to the dead son of Malacca’s wealthiest family, the Lims. Marriage to a dead man isn’t exactly what Li Lan had in mind when she dreamed of her future, but after a visit to the Lim mansion, she does, indeed, dream of the dead son. Actually, the dreams are more nightmares since Lim Tian Ching is pretty creepy and persistent in his pursuit of Li Lan. He also informs Li Lan that his cousin, Tian Bai, the current heir—to whom she’s attracted—murdered him. The dreams, which haven’t exactly been conducive to a good night’s sleep, take a toll on Li Lan’s health, and she finally admits to her amah that she’s being visited by ghosts. Her amah takes Li Lan to a medium, who supplies her with potions. After taking more than the recommended dosage, Li Lan’s spirit leaves her near-lifeless body and enters the land of the dead and the near-dead, where she finds that most ghosts are pretty rude and uncivil. As she attempts to discover the true nature of Lim Tian Ching’s death, Li Lan enlists the assistance of a selfish spirit named Fan who guides her to the Plains of the Dead. Her investigation into the Lim household is fraught with danger as Li Lan’s spirit becomes weaker and she tries to avoid vicious ox-headed demons, Lim Tian Ching and other ghosts who wish her harm. But she’s not totally alone: A mysterious stranger in a broad-brimmed hat, an elderly-appearing servant and a cool steed help her.

Choo’s multifaceted tale is sometimes difficult to follow with its numerous characters and subplots, but the narrative is so rich in Chinese folklore, mores and the supernatural that it’s nonetheless intriguing and enlightening. A haunting debut.

Pub Date: Aug. 6, 2013

ISBN: 978-0-06-222732-4

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: June 22, 2013

Kirkus Reviews Issue: July 1, 2013

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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