IN HITLER'S SHADOW

AN ISRAELI'S AMAZING JOURNEY INSIDE GERMANY'S NEO-NAZI MOVEMENT

The story of an Israeli Jew's experiences as a mole inside Germany's radical right. In September 1992 Svoray was an out-of-work fortune hunter and sometimes journalist searching Germany for diamonds stashed and then lost by an American GI 37 years before. By accident, this quixotic hunt led Svoray to an aging neo-Nazi who took a liking to him and became his conduit to the German far right: unrepentant Nazis from the Third Reich, murderous young skinheads, and modern right-wing ideologues and politicians. Svoray forgot the diamonds and became an investigator for the Los Angelesbased Simon Wiesenthal Center, an organization established to combat anti- Semitism. Somehow, the neo-Nazis failed to penetrate Svoray's flimsy cover as a reporter for a nonexistent right-wing American publication and an advance man for a wealthy American looking to contribute to neo-Nazi movements. Further, Svoray managed to talk his way into right-wing strongholds in heavily accented English. Svoray and Taylor (A Necessary End, p. 131) tell the story of the Israeli's 18 months among the neo-Nazis. It is a fascinating, frightening, and revealing account, but one that is also badly flawed by the decision to write the book in the third person with Svoray as the hero/protagonist. The device turns In Hitler's Shadow into a tale of high adventure, complete with narrow escapes and moments of high danger, rather than investigative journalism. Svoray gathered important information about a movement that many critics charge has been paid insufficient attention by the German government, and the wide news coverage given Svoray's investigation may have contributed to Germany's recent crackdowns against neo- Nazis. (HBO will bradcast a tie-in movie in 1995.) An imperfect but riveting inside view of Germany's neo-Nazi movement and the dangers it presents. (Author tour)

Pub Date: Oct. 6, 1994

ISBN: 0-385-47284-6

Page Count: 288

Publisher: Nan A. Talese

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1994

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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