An exciting, if at times confusing, start to a saga.
The intrepid protagonist of Bahjatt’s (Somewhere!, 2014) novel races to end the civil war in his Islamic homeland—even if it means breaking its biggest rule.
After ruling the territory of Al-Andalus (now modern-day Spain and Portugal) for hundreds of years, the Moors’ reign came to an end with the 1492 fall of Granada. According to Bahjatt’s alternative history, the Moors fled Al-Andalus and came upon the warring tribes of Yaqteenya, whom they joined under the “unifying flag of Islam.” Claiming to be the last surviving Muslims, the Moors made a deal: they would help build Yaqteenya into a great civilization as long as nobody there returned to the old world and told Allah’s enemies about Yaqteenya’s existence. This agreement resulted in nearly 300 years of isolation and peace. Now, five chieftains deny the existence of the old world, question the veracity of Islam, and issue an ultimatum: the Moors and their followers must leave Yaqteenya or die. After a grueling year of bloodshed, Al-Baz Al-Monqad, the son of a chieftain who supports the Moors, decides to defy his father’s wishes and venture beyond Yaqteenya’s borders to determine whether the Moors have been telling the truth. Bahjatt delivers a novel with sci-fi– and fantasy-tinged elements. He effectively divides the novel into two distinct stories: half the novel chronicles Al-Baz’s journey to Granada, which finds him shipwrecked, captured by the Ottoman army, evading a mysterious group called the covenant, and mistaken for the son of a renowned Quran scholar. The other half explores Al-Baz’s life before this voyage, including the beginning of the civil war; Al-Baz’s friendship with Fida, the son of Yaqteenya’s leader; and the nonhuman entities (including mountains and eagles) with whom he can communicate. At times, however, the many intersecting storylines can be difficult to follow, and Bahjatt assembles far more elements than he has time to resolve (although a sequel is forthcoming). While the big picture remains blurry, Bahjatt keeps readers invested with enormous empathy for his main characters.
An exciting, if at times confusing, start to a saga.Pub Date: Aug. 7, 2015
ISBN: 978-9-94-818097-5
Page Count: 240
Publisher: Yatakhayaloon
Review Posted Online: Oct. 20, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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