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BINOETICS' FIRST TOUCHDOWN

ARTIFICIAL WORLD

An offbeat but unconvincing marriage of religion and alien-abduction tropes.

A woman’s mysterious pregnancy proves to be connected to ancient aliens in Ngoto’s debut work of Christian-themed science fiction. 

When Elizabeth Redsnow and her husband, John, learned they would be unable to conceive a child, they happily adopted a daughter, Charity. Soon afterward, however, John was killed in a car crash, leaving Elizabeth to raise Charity on her own. Then, a few years later, Elizabeth receives a shock: “How could she possibly be pregnant? She hadn’t been on a date or had sexual relations since John’s death.” Could the mysterious event be related to strange dreams she’s been having, which feature hooded figures? She soon learns from the eccentric Dr. Barracuda—whose offices are located at 13 Gothic St. in Hempstead, New York—that she was impregnated by advanced aliens from another dimension and that her child will grow up with the strength of a biblical hero. She names the child “Binoetics,” a term that the doctor uses to describe children like hers, and the power that he predicted for her son soon becomes apparent—although it quickly gets the boy into trouble. Ngoto’s unusual blend of extraterrestrials and biblical prophecy sometimes makes for a pleasing read. However, it will strike many readers as a bit heavy-handed; much of the book, for example, is given over to explaining the world’s strange mythos, giving it a rather staid and didactic feel. The characters are also disappointingly flat; Elizabeth, for instance, is presented as a perfect evangelical Christian woman who judges others quite harshly: “Elizabeth was sure that Kate’s vanity and her attitude toward men...was self-defeating.” Non-Christians will likely tire of the book’s religious content, although it’s so revisionist—and full of aliens—that even devout readers may not find it relatable. The cliffhanger ending suggests that further adventures for Binoetics are planned.

An offbeat but unconvincing marriage of religion and alien-abduction tropes.

Pub Date: Sept. 9, 2019

ISBN: 978-1-69206-457-0

Page Count: 298

Publisher: Self

Review Posted Online: Nov. 18, 2019

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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