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ANANSI'S GOLD

THE MAN WHO LOOTED THE WEST, OUTFOXED WASHINGTON, AND SWINDLED THE WORLD

Utterly absorbing.

For two decades, a Ghanaian con man surfed a wave of lies and luck, living large on multiple continents while swindling “millions upon millions of dollars.”

“This is a story of how lies change history,” writes Ghanaian journalist Yeebo. The lies at the center of her story are those of Dr. John Ackah Blay-Miezah, whose name and title were both lies. He claimed to hold the key to the (nonexistent) Oman Ghana Trust Fund, billions of dollars supposedly spirited out of Ghana by its first president, Kwame Nkrumah, and held in Swiss banks, ensnaring investors in a classic fraud. Yeebo makes clear that Blay-Miezah’s lies were founded on other lies—first those of the British colonizers, who “siphoned off over 150 million pounds” that were to have been held in reserve pending independence, and then those of the U.S. and British governments, which helped engineer the 1966 coup that toppled Nkrumah. The racism that underlay these actions also propelled many of Blay-Miezah’s investors, who “saw [him] spinning a tale about darkest Africa, untold wealth, and a corrupt leader….[T]he story—and the man—fit their preconceptions like a dovetail joint.” The great tragedy, writes the author, is that Blay-Miezah’s lies have become one of Ghana’s foundational myths. It’s an incredible story, told with muscular acerbity and populated by secondary characters as compelling as the leading man. There’s the diplomat duo of Shirley Temple Black, U.S. ambassador to Ghana, and Ebenezer Moses Debrah, Ghana’s former ambassador to the U.S.; Gladys Blay-Miezah, Blay-Miezah’s second wife, whose ability to track down her philandering husband earned her the nickname Columbo; and Joe Appiah, who successfully prosecuted Blay-Miezah in Ghanaian court only to see him freed after a brutal coup. Even as she catches readers up in what often reads like a breathless caper, the author takes care to ground them in what matters most: Ghana and its sadly “fragile” history.

Utterly absorbing.

Pub Date: Aug. 1, 2023

ISBN: 9781635574739

Page Count: 400

Publisher: Bloomsbury

Review Posted Online: April 5, 2023

Kirkus Reviews Issue: May 1, 2023

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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