Charming if somewhat oblique fiction, quirky and unpredictable.



The fourth of Hoffman’s books to be published by New Directions (Bernhard, 1998, etc.) departs from his previous work to head for a gentler place.

Hoffman is Israel’s foremost avant-garde fiction writer, a game-player whose work is reminiscent of other magicians like Walter Abish and the OULIPO gang. His other works have been dark and brooding ruminations on the permutations of recent Jewish history from the Holocaust to the tragedies of the Middle East conflict, but this latest is lighthearted, playful, almost impish. Told in a series of 237 very brief vignettes (seldom longer than a dozen lines), it’s the story of Yehoahim, who is 43 and lives in the port city of Haifa, where he’s recovering from the collapse of his marriage. He seems to do little else but sit in cafes and in his apartment, pondering the inner life of inanimate objects. Eventually, though, he meets and falls in love with Batya, a beautiful woman with a Mongolian baby. His love is reciprocated, and at story’s end the trio constitute a family of sorts. Yehoahim is out of sync with the real world in some deep but not disturbing way; indeed, he seems to be at one with his narrator, giving the novel the feel of something like a postmodern slapstick reworking of Sartre’s Nausea. Hoffman’s narrative derives much of its humor from his surrealist juxtapositions: Batya’s “toes refute the theory of relativity,” Yehoahim’s closet has a name and personality, winter flights are cheap because one can “grab hold of the wing of the plane, as in a picture by Chagall.” Underlying all this giddiness there is a sweet, gentle sensibility that achieves a satisfying completeness in a final epiphany of sacred and profane love. Cole’s translation is amply footnoted and deft at catching Hoffman’s complex network of biblical and literary references.

Charming if somewhat oblique fiction, quirky and unpredictable.

Pub Date: April 23, 2001

ISBN: 0-8112-1465-6

Page Count: 144

Publisher: New Directions

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2001

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A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in...

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This incandescent portrait of suburbia and family, creativity, and consumerism burns bright.

It’s not for nothing that Ng (Everything I Never Told You, 2014) begins her second novel, about the events leading to the burning of the home of an outwardly perfect-seeming family in Shaker Heights, Ohio, circa 1997, with two epigraphs about the planned community itself—attesting to its ability to provide its residents with “protection forever against…unwelcome change” and “a rather happy life” in Utopia. But unwelcome change is precisely what disrupts the Richardson family’s rather happy life, when Mia, a charismatic, somewhat mysterious artist, and her smart, shy 15-year-old daughter, Pearl, move to town and become tenants in a rental house Mrs. Richardson inherited from her parents. Mia and Pearl live a markedly different life from the Richardsons, an affluent couple and their four high school–age children—making art instead of money (apart from what little they need to get by); rooted in each other rather than a particular place (packing up what fits in their battered VW and moving on when “the bug” hits); and assembling a hodgepodge home from creatively repurposed, scavenged castoffs and love rather than gathering around them the symbols of a successful life in the American suburbs (a big house, a large family, gleaming appliances, chic clothes, many cars). What really sets Mia and Pearl apart and sets in motion the events leading to the “little fires everywhere” that will consume the Richardsons’ secure, stable world, however, is the way they hew to their own rules. In a place like Shaker Heights, a town built on plans and rules, and for a family like the Richardsons, who have structured their lives according to them, disdain for conformity acts as an accelerant, setting fire to the dormant sparks within them. The ultimate effect is cataclysmic. As in Everything I Never Told You, Ng conjures a sense of place and displacement and shows a remarkable ability to see—and reveal—a story from different perspectives. The characters she creates here are wonderfully appealing, and watching their paths connect—like little trails of flame leading inexorably toward one another to create a big inferno—is mesmerizing, casting into new light ideas about creativity and consumerism, parenthood and privilege.

With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in America.

Pub Date: Sept. 12, 2017

ISBN: 978-0-7352-2429-2

Page Count: 384

Publisher: Penguin Press

Review Posted Online: June 20, 2017

Kirkus Reviews Issue: July 1, 2017

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