A skillful tale that explores relationship nuances and redemption.
A United Nations civil servant recalls his complicated bond with a German friend and his Japanese violinist wife in this debut novel.
Mark Graham Sanders, a divorced U.N. human resources officer in his mid-40s, has a “fortuitous encounter” in 1999 while sketching in the Metropolitan Museum of Art, which leads to his experiencing “that misty line” between love and friendship. Specifically, he meets a professional violinist named Yukari, the wife of Hans, a U.N. economist colleague. Mark is immediately attracted to her, and she seems drawn to him; she soon admits to Mark that she was contemplating leaving her husband after discovering that he’d had an affair. Yet the marriage continues on, aided, oddly, by their friendship with Mark. The trio enjoys many evenings of music and culture together and even discovers that their families were acquainted generations ago. As a pledge to their friendship, Mark and Hans plant blue roses in the U.N. garden, which also reflect the color of a dress that Yukari wears. After one intoxicating evening, Hans and Yukari sleep over at Mark’s apartment and conceive a child. The news of Yukari’s pregnancy arrives, however, just as Hans, frustrated in his career, decides to go on assignment in Bosnia and Herzegovina. Mark gladly steps up to watch over Yukari, and the two grow ever closer. Then unexpected news comes from abroad, followed by the baby’s birth, and then tragedy. Debut author Keith probes the many shades of love, honor, and friendship in this musing, elegiac narrative. First-person narrator Mark is engagingly flawed; over the course of the story, he comes to realize just how despicable he was to have divorced his first wife due to their failure to conceive a child. The novel is a bit overloaded with international details, however, even encompassing a very minor character’s role in the Israeli-Palestinian conflict. The best scenes are those that focus on the main trio’s dynamics, such as when Yukari makes love to Hans before whispering her love to Mark in the dark. Overall, it’s an elegant debut.
A skillful tale that explores relationship nuances and redemption.Pub Date: March 31, 2016
ISBN: 978-1-4835-6219-3
Page Count: 200
Publisher: BookBaby
Review Posted Online: April 22, 2016
Kirkus Reviews Issue: June 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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