The subtitle is apt: Daley-Ward has quite a ferociously moving story to tell.
A powerful, unconventionally structured memoir recounting harrowing coming-of-age ordeals.
Though she earned acclaim for her debut poetry collection, bone (2014), Daley-Ward resists classification in this profound mix of poetry and prose. Her Jamaican mother was sent to live in England during her first, teenage pregnancy. Her father, whom she never met, was Nigerian, married to someone else. The author was raised entirely in England, largely by her maternal grandparents, Seventh-Day Adventists. She discovered her poetic calling on a pilgrimage to Africa, after drugs and depression had left her at the end of her rope. Before then, she had worked as a model and aspired to be a singer, though her most lucrative source of income was sex work. The one main constant in her life has been her younger brother, Roo, who attempted suicide after their mother’s death. Roo had a different father than his sister, who had a different father than their older brother. Their mother subsequently had a series of boyfriends, some of whom played quasi-dad to the offspring none of them had fathered. “I think about these parents of ours / our makers / our stars. (Such impossible, complex stars.),” she writes. “How they came, exploded, / and fell away.” Daley-Ward had developed well before her teens, both physically and mentally, so much that her mother feared her then-boyfriend would have sexual designs on her and sent her to her strict grandparents. She soon became aware of the attention her looks brought her, and she exercised her power to attract men and feared the power they might have over her. She abused alcohol and drugs, both to feel something and not to feel anything, and she found older men willing to support her. Then she got engaged to a man who truly loved her but whom she sensed she didn’t deserve. “I don’t think that I’ll live a particularly long life,” she writes. “It doesn’t bother me. You gather speed when you’re descending.”
The subtitle is apt: Daley-Ward has quite a ferociously moving story to tell.Pub Date: June 5, 2018
ISBN: 978-0-14-313262-2
Page Count: 224
Publisher: Penguin
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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