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YOU SEE, I HAVEN'T FORGOTTEN

Richly intelligent (auto)biography by Montand (1921-91), who said yes to French journalists Hamon and Rotman when they offered to write his biography. He gave candid interviews and is quoted at length about his life and career, while his biographers interviewed pals and enemies and fill in the blanks. Montand rose from hairdresser's apprentice to French music- hall star before being claimed by the movies and becoming the embodiment of the sensitive French male with the working-class background. Born in Italy to a Communist family, he remained a leftist throughout life, though during his last decades, when many hoped he would run for president of France, he was deeply disaffected with Communism. He had triumphed as a mock American singing cowboy when France's greatest star, Edith Piaf, took him under her wing during WW II, let him open her act, and empowered him as star and lover. The Little Sparrow, however, grew jealous as Montand's legend flowered, and she took flight, leaving the young star wounded. In film, Montand's first big moment came when he replaced Jean Gabin in Marcel Carne's Les Portes de la Nuit (1946), then shined in Henri-Georges Clouzot's The Wages of Fear (1953). Montand married fellow star Simone Signoret, remained with her for nearly 40 years, and was with her in Hollywood when she took the Best Actress Oscar for Room at the Top—while he filmed Let's Make Love with Marilyn Monroe. The Monroe-Montand affair was a steaming earthquake of scandal, with Signoret asking the press, ``Do you know many men who would sit still with Marilyn Monroe in their arms?''; here, Montand speaks frankly and tenderly about MM. The marriage turned tragic during its last decade as Signoret self- destructed physically, aging Montand flirted with power, and daily the couple acted out Who's Afraid of Virginia Woolf? Smart and revealing. Celebrities don't write 'em like this in America, sad to say. (Twenty-four pages of photographs—not seen.)

Pub Date: Aug. 24, 1992

ISBN: 0-679-41012-0

Page Count: 448

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1992

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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