by Zack McDermott ‧ RELEASE DATE: Sept. 26, 2017
If the Joads were tanked up on Bud Light and Haldol and Steinbeck were under Hunter S. Thompson’s influence, this might be...
“I am a bipolar gorilla”: a tale of madness, self-destruction, and the stalwart presence of a family that, while not exactly the Waltons, is always there.
You’ve got to like a book that opens with a Granny who prays the rosary, digs the Stones, and calls the police “pigs,” as in, “Zachariah, look out the window. Is that the pigs?” If Granny is a person not to mess with, Grandpa is a whiskey-soaked philosopher, and Bird—well, that would be Zachariah’s mom, who is the toughest and most reliable of them all, a rock on whom whole cities could be founded. McDermott’s memoir is decidedly offbeat, unfolding like a country song. There’s the law, some good jokes, substance abuse, and love lost and found, but there’s also a keenly felt sense of justice for the people who can’t catch a break in this world, “the dregs, the castoffs, the addicts, and the Uncle Eddies,” the latter a relative who pioneered the author’s path into the mental health system all those years ago. It’s a system that McDermott describes from two vantage points, one as a public defender who represents emotionally disturbed persons and one as someone who has spent time on the other side of the door, committed for clearly valid reasons even as we come to understand that mental health is not likely to be encountered in mental health institutions—or, as he writes, “regaining sanity at a mental hospital is like treating a migraine at a rave.” That makes sense, for who could be healed in a place, as he writes, where the air is a fetid assault, inasmuch as “90 percent of our prescribed medications came with rancid and constant dog farts as side effects”?
If the Joads were tanked up on Bud Light and Haldol and Steinbeck were under Hunter S. Thompson’s influence, this might be the result—rueful, funny, and utterly authentic.Pub Date: Sept. 26, 2017
ISBN: 978-0-316-31514-2
Page Count: 288
Publisher: Little, Brown
Review Posted Online: July 2, 2017
Kirkus Reviews Issue: July 15, 2017
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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