An uneven but, in some respects, intriguing debut.
A particularly bad breakup leads a young woman to reexamine her past and how it shapes her identity and her desires.
The unnamed narrator of this novel is a “love addict.” What this means in practical terms is that she treats her partners terribly, engages in a lot of casual sex, and develops fixations on people who are unavailable and unattainable. Reading about her describe her life is a lot like being friends with someone who needs to give you every detail about their exploits in self-destruction and is incapable of heeding or even hearing the tiniest bit of reasonable advice. For some of us, it might be a treat to live vicariously. For others, it’s exhausting. How you feel about this book will largely depend on where you land on this matter. What is most interesting is the way Arafat navigates her protagonist’s complex identity. The narrator is, in addition to being a love addict, bisexual and Palestinian American. She comes from a conservative family, which made it difficult for her to understand her own sexuality when she was younger. Her queerness also complicates her already troubled relationship with her mother. At the same time, this character is living with her female lover in Brooklyn and DJ-ing at clubs where she hooks up with women and men both. This isn’t a coming-out narrative. Similarly, while her mother’s ethnic and religious backgrounds present challenges that the narrator has to overcome, she is, essentially, an American. This is to say that this isn’t an “immigrant story” if that means that acculturating to a new country and new way of life is the narrative’s central concern. Arafat’s protagonist is a messy, complicated character who doesn’t fit neatly into any single “multicultural” category, and that, all by itself, is refreshing.
An uneven but, in some respects, intriguing debut.Pub Date: June 9, 2020
ISBN: 978-1-948226-50-9
Page Count: 272
Publisher: Catapult
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
An optimistic, feel-good novel that might just soothe some post-Covid angst.
An agoraphobic Glasgow woman works to heal her family-based trauma so she can reconnect with the world and the people she loves.
As of Nov. 14, 2018, Meredith Maggs hasn’t left her house in 1,214 days. She has created a fairly healthy routine to her days—freelance writing, exercise, baking, doing jigsaw puzzles, having sessions with Diane the counselor—but she rarely interacts with anyone in person other than her best friend, Sadie, and Sadie's kids. When Tom McDermott, from a "befriending charity" called Holding Hands, shows up on her doorstep one day, her initial instinct is to ghost him to avoid future meetings; to her surprise, he becomes a consistent visitor, a jigsaw partner, an appreciative audience for her baking, and, eventually, a friend. At the same time, via an online chat room, she meets Celeste, who discloses that she has recently been sexually assaulted. Meredith offers her support online, gradually taking the step to invite Celeste into her home. Meredith knows that in order to truly open herself to these new opportunities, she must reconcile with her sister, Fiona, who was her protector and best friend growing up. However, they fell out and have barely spoken for years. When Fiona reaches out with her own crisis, Meredith is finally able to begin healing from the trauma at the root of her agoraphobia. Alexander creates a winning heroine in Meredith and likable characters in her kind friends; this type of mental illness is not frequently highlighted or discussed, and while Meredith’s experience predates the pandemic, there are, of course, echoes of sympathy for those who were isolated at home or who continue to be anxious about leaving their homes for this uncertain world.
An optimistic, feel-good novel that might just soothe some post-Covid angst.Pub Date: Nov. 1, 2022
ISBN: 978-1-5387-0994-8
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
Will simultaneously intrigue both romantics and skeptics. The science might oversimplify, but it’s gripping enough to read...
Marrs’ debut novel traces the stories of five people who find their soul mates—or do they?
Imagine if you could submit to a simple DNA test and then receive your Match in your email. Not just an online date who might be geographically compatible, but a true and unique genetically destined partner. While the potential long-term benefits may seem to outweigh the negative consequences, the system is far from infallible; as any science-fiction fan could tell you, if it sounds too good to be true, there’s usually a catastrophe lurking at the other end. Marrs’ novel traces five individuals who meet their Matches under varying circumstances and with widely conflicting outcomes. During the course of their romantic adventures (and misadventures), the entire DNA matching algorithm will prove to be susceptible to hacking, also proving that (gasp!) just because something may be driven by science doesn’t mean that it’s free from the world of human error. The philosophy posed by the novel speaks not just to the power of love and the laws of attraction, but also serves as a commentary on today’s world of genetic exploration. Do these breakthroughs simplify our lives, or do they make us lazy, replacing the idea of “destiny” or “fate” with “science” as a larger power that we don’t need to question? These ideas keep the novel moving along and create a deeper level of interest, since most of the narrative threads are fairly predictable. The two exceptions are the psychopathic serial killer who meets his Match and begins to lose interest in killing and the heterosexual man matched with another man, both of whom must then redefine sexuality and love, commitment and family.
Will simultaneously intrigue both romantics and skeptics. The science might oversimplify, but it’s gripping enough to read all in one sitting.Pub Date: Feb. 20, 2018
ISBN: 978-1-335-00510-6
Page Count: 416
Publisher: Hanover Square Press
Review Posted Online: Dec. 6, 2017
Kirkus Reviews Issue: Jan. 1, 2018
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