Two childhood friends reconnect in their 30s with life-changing consequences.
It’s the summer of 2015, a year before the massacre of 49 people at Pulse, a gay nightclub in Orlando. Sebastian Mote is a high school art history teacher in a suburb of Washington, D.C., reeling from the end of a three-year relationship. He wants to take advantage of the Supreme Court’s recent marriage equality verdict; some children and a house in the suburbs with raised flower beds would be great, too. His childhood friend Oscar Burnham is a “proud queer” who can’t fathom why any gay man would want to settle for marriage like a “breeder." One night at a gay bar, he confronts a woman who’s part of a bachelorette party after she condescendingly says, “God, I love my gays,” aggressively shaming her into leaving. Sebastian and Oscar narrate alternating chapters of the novel. After they run into each other in D.C., Oscar thinks a visit to Sebastian's house makes him feel “like [he's] stumbled into a diorama in a natural history museum labeled Homo americanus domesticus.” There’s a deep tension between the two that’s sexual but also political: Neither can entirely stomach the life the other has chosen. But to Salih’s credit, the narrators’ personalities don’t fall into tidy moral demarcations; Sebastian, who isn’t adventurous, dangerously pines for one of his 17-year-old students, and Oscar, who has a robust sex life, might just want a steady relationship if he’d admit that to himself.
An insightful examination of two of the many ways gay men present themselves in contemporary America.Pub Date: Feb. 16, 2021
ISBN: 978-1-61620-957-5
Page Count: 288
Publisher: Algonquin
Review Posted Online: Oct. 14, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Categories: FAMILY LIFE & FRIENDSHIP | LITERARY FICTION | GENERAL FICTION
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PERSPECTIVES
PERSPECTIVES
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2021
Kirkus Reviews Issue: Nov. 1, 2021
Categories: ROMANCE | FAMILY LIFE & FRIENDSHIP | CONTEMPORARY ROMANCE | GENERAL ROMANCE | GENERAL FICTION
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Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.
Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.
Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.Pub Date: July 17, 2018
ISBN: 978-1-5011-7159-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 1, 2018
Kirkus Reviews Issue: May 15, 2018
Categories: FAMILY LIFE & FRIENDSHIP
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