A swath of delightful and intricate stories from a wildly inventive storyteller.
A collection of speculative stories that play on Malaysian folklore and fantasy tropes with humor and compassion.
Split into three sections—Here, There, and Elsewhere—this expanded edition of Cho’s 2014 collection takes readers from present-day Malaysia to a boarding school in Britain to Earth thousands of years in the future, showcasing the author’s broad storytelling range. Stories in the first section, Here, are set primarily in Malaysia and explore themes as mundane as teenage love, intergenerational family tensions, and school pressures through the prism of the fantastical. The collection opens with “The First Witch of Damansara,” in which Vivian—a young Malaysian woman who has immigrated to a “modern Western country”—returns to Malaysia after the death of her grandmother, a witch whose powers Vivian has not inherited. When Vivian begins to receive visits from her grandmother in her dreams, she experiences a change of heart about the cultural traditions she had formerly disavowed. Other stories in this section similarly combine folklore with the mundane: A schoolgirl allows an enchanted koi fish to brutalize her in exchange for good grades in “The Fish Bowl,” while in “The House of Aunts,” a young vampire falls in love with a Muslim boy at school, much against the advice of the aunts who have raised her. While stories in the There section are set primarily in the U.K. and those in Elsewhere, in more otherworldly settings, both sections explore more fantastical terrains than the first: teenagers at an English boarding school battle fairies, women are wooed unexpectedly by dragons, and the Chinese lunar goddess, Chang E, is reenvisioned as an extraterrestrial college student. The stories are told with the precise and almost sparse voice of fairy tales, but they can sometimes veer toward the excessively fanciful. Some, like “One-Day Travelcard for Fairyland” and “If at First You Don’t Succeed, Try, Try Again,” rely too much on humor and speculative elements without quite landing. Nevertheless, the collection’s most moving stories harness seamless worldbuilding, intriguing character development, and thematic complexity.
A swath of delightful and intricate stories from a wildly inventive storyteller.Pub Date: Aug. 10, 2021
ISBN: 978-1-61873-186-9
Page Count: 288
Publisher: Small Beer Press
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
Haig’s positive message will keep his fans happy.
A British widow travels to Ibiza and learns that it’s never too late to have a happy life.
In a world that seems to be getting more unstable by the moment, Haig’s novels are a steady ship in rough seas, offering a much-needed positive message. In works like the bestselling The Midnight Library (2020), he reminds us that finding out what you truly love and where you belong in the universe are the foundations of building a better existence. His latest book continues this upbeat messaging, albeit in a somewhat repetitive and facile way. Retired British schoolteacher Grace Winters discovers that an old acquaintance has died and left her a ramshackle home in Ibiza. A widow who lost her only child years earlier, Grace is at first reluctant to visit the house, because, at 72, she more or less believes her chance for happiness is over—but when she rouses herself to travel to the island, she discovers the opposite is true. A mystery surrounds her friend’s death involving a roguish islander, his activist daughter, an internationally famous DJ, and a strange glow in the sea that acts as a powerful life force and upends Grace’s ideas of how the cosmos works. Framed as a response to a former student’s email, the narrative follows Grace’s journey from skeptic (she was a math teacher, after all) to believer in the possibility of magic as she learns to move on from the past. Her transformation is the book’s main conflict, aside from a protest against an evil developer intent on destroying Ibiza’s natural beauty. The outcome is never in doubt, and though the story often feels stretched to the limit—this novel could have easily been a novella—the author’s insistence on the power of connection to change lives comes through loud and clear.
Haig’s positive message will keep his fans happy.Pub Date: Sept. 3, 2024
ISBN: 9780593489277
Page Count: 368
Publisher: Viking
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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