Three sisters react to their mother's recent death and the unexpected return of the father who left home 30 years earlier—in Collier's second effort, which, unfortunately, shares the problems of her first (A Cooler Climate, 1990): you can see the wheels turning, but there's just no traction. Lois, the oldest sister—rigid, controlled, and determinedly conformist—works efficiently on clearing out her mother's house and dividing the property fairly, all the while consumed with worry about her son Ned, who's dropped out of college to live on the fringe of society. Diane, a few years younger than Lois and still single, is a successful freelance writer and chain-smoker who agonizes over commitment. Should she agree to marry Adam, the kind, intelligent, honest, and attractive man who loves her? Ella, the youngest sister, is retarded. Her reaction to the death of the mother who was devoted to her is simple grief. She spends hours in the rocking chair in her mother's bedroom, rocking, rocking. Into all this walks 70-year-old Charlie Hazzard, jazz musician and erstwhile father. Charlie lights up the house—and the novel. He's the most substantial character here, and his conflicts over his two lives ring true. But before things can really be resolved, Collier dispatches him to a final—and premature—fate. Without him, the storyline falls to pieces. The three self-involved sisters, cut out with a heavy hand, end up being paper-doll-thin. Their stylized, almost archaic way of speaking also distances them from us. ``My, you're a cool customer'' is Lois's response to Charlie's request for a cup of coffee when he first arrives at their door. ``Sorry we weren't expecting the return of the prodigal father or we'd have laid in a stock.'' Strong words, weak message—in all, a bitter brew.
Pub Date: June 1, 1992
ISBN: 0-8021-1513-6
Page Count: 218
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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