Gorgeous and alive.
A fable of being and belonging from the author of The Map of Salt and Stars (2018).
This is the story of two artists who are connected by secret histories. This is also the story of a trans man struggling to come out to the people closest to him and a woman who found new love even though her way of desiring seemed impossible in the time and place in which she was born. This is a story about immigrants. This is a ghost story, and the specters that haunt its pages are literal and figurative. And this is a story about birds. What binds all these disparate strands together are Joukhadar’s deep sympathy for his characters and his powerfully poetic voice. One-half of the novel is set in contemporary New York. The narrator is unnamed because the name he was given at birth no longer fits him. As he tries to express his true gender, he addresses his dead mother as if her absence makes his transition impossible. “There is so much of you—and, therefore, of myself—that I will never know,” he writes. Laila Z’s tale begins in 1920, in French-occupied Syria. After her family immigrates to America, she becomes an acclaimed illustrator of birds. The unnamed narrator knows her work because she was his ornithologist mother’s favorite artist, and, when he stumbles upon Laila’s diary, he finds the key to unlocking himself. Joukhadar is writing for a general American audience about people who are often categorized as “other.” Both narrators are Syrian American, as are most of the significant characters. Many of these characters are also queer. The author creates a world for his characters in which readers who are perhaps unfamiliar with the communities being represented can find their way around, but he does not feel compelled to translate and explain. And Joukhadar’s prose style—folkloric, lyrical, and emotionally intense—creates its own atmosphere.
Gorgeous and alive.Pub Date: Nov. 3, 2020
ISBN: 978-1-9821-2149-5
Page Count: 304
Publisher: Atria
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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