THE INVISIBLES

IN SEARCH OF THE EUNUCHS OF INDIA

A tantalizing look into a mysterious Indian subculture. While attending a friend's wedding in India, Jaffrey, a freelance writer, noticed a group of mimes outside the gates, singing songs off-key and making obscene jokes. Although they appeared to be transvestites, she soon discovered that they were known as eunuchs, that their presence was expected, and that most Indians showed little curiosity about them or their community. Once she began exploring, with a foreigner's eye and an Indian's family connections, she found that many Indians had deeply conflicted attitudes toward the eunuchs. Were they transvestites or transsexuals? Were they Hindus or Muslims? Were they invited to attend such events as weddings, or merely a nuisance to be paid off and sent away? Was their presence auspicious, merely unsettling, or positively frightening? Did men join the community of eunuchs voluntarily, as a means of resolving problems of gender identity? Or were young boys kidnapped and castrated against their will, as some social reformers and politicians claimed? Jaffrey's curiosity on these matters led her to a series of interviews with the eunuchs and with the police, with whom they had a sometimes mutually beneficial, sometimes antagonistic relationship. The resulting story is more than an academic monograph or Sunday travel supplement article, although it has characteristics of both. Jaffrey is an impressive stylist who makes every word tell; she has an eye for significant detail. She understands that India is not part of a timeless Orient, but a rapidly changing modern nation engaged, sometimes reluctantly, in redefining issues of gender and sexuality. Although Jaffrey only occasionally refers directly to Western debates about transvestism and transsexuality, her examination of the ways in which Indians have been struggling with issues of gender and sexuality helps broaden our own public and private debates. (8 pages b&w photos, map, not seen) (Author tour)

Pub Date: Nov. 7, 1996

ISBN: 0-679-41577-7

Page Count: 304

Publisher: Pantheon

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1996

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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