Tom Wolfe might once have had vicious fun with such material, but this novel lacks the edge to make it sharper than soap...

THE BELIEVERS

This sociopolitical comedy of manners concerning a radical lawyer in a coma is beyond the novelist’s satiric command.

The main problem with the latest from the British Heller (What Was She Thinking? Notes on a Scandal, 2003, etc.) is that it lacks focus. It could have focused on Joel Litvinoff, a famous activist attorney described by those who despise him as a “rent-a-radical with a long history of un-Americanism,” but he’s unconscious in his hospital bed for the bulk of the book. It wants to focus on his wife Audrey, like the novelist a British-born transplant to New York, whom the older Joel seduces in London when she is 18 and who remains married to him for 40 years. The problem is that Audrey is the least compelling character, with little explanation as to how she has become such a doctrinaire radical harridan (much more rigid than her husband), a “champagne socialist” hypocrite and unloving mother to her two daughters. Maybe Karla and Rosa, the daughters estranged from each other, could have provided the focus. The former is a heavy, good-hearted woman who must choose between her loveless marriage and an improbable affair. The latter is more attractive and resents the superficiality of her beauty; she is an extremist in everything she does, having returned from four years in Cuba to embrace, or at least investigate, the Judaism her parents long ago rejected (and which runs counter to her own feminism). Unfortunately, their stories only connect at the bedside of their comatose father, a center that cannot hold. Adopted son Lenny, from an even more radical family, mainly provides comic relief as his mother’s marijuana supplier, until he cleans up. What promises to propel the narrative is Joel’s deep secret, revealed while he is unconscious, but even that seems on the periphery, before its unlikely resolution provides something of a climax.

Tom Wolfe might once have had vicious fun with such material, but this novel lacks the edge to make it sharper than soap opera.

Pub Date: March 3, 2009

ISBN: 978-0-06-143020-6

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 2008

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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