A carefully crafted, if at times overly austere, study of home and loss.
A heartsick academic heads from Scotland to her native South Africa to help repair her brother’s broken family—and somberly, slowly muse on her past.
As in her previous novels and stories (The One That Got Away, 2009, etc.), this novel reflects Wicomb’s interest in bridging Europe and post-apartheid South Africa—or, more precisely, showing the extent of the gap. Mercia’s thoughts of home are already intense after her longtime partner leaves her, and they deepen once she receives a letter from her brother, Jake, suggesting that she needs to return to South Africa to take care of his young son. When she arrives after 26 years away, it’s clear that his life is in chaos: He’s sunk deep into alcoholism, and his wife is at loose ends at the impending foreclosure of their home. Though the setup is dramatic, Wicomb’s writing is patient and meditative; early in the novel, Mercia reads Marilynne Robinson’s novel Home, which seems to serve as a thematic and tonal model here. Mercia’s visit inevitably sends her into the past, thinking of her mother, who died young, and her domineering father, who sent both of them fleeing on different paths. We also learn more about Mercia’s relationship with a poet and the woman he left her for. Wicomb touches on South African politics and racial divides (Mercia’s family is black), but the novel stresses a more interior story, which turns on a harrowing revelation about Mercia’s father. At times, this story feels wan and undramatic, as Mercia continuously muses over the question of whether her true home is in Glasgow, Kliprand or Macau, where there is a potential new teaching gig. But its closing pages are genuinely affecting, intensifying the overall mood of heartbreak.
A carefully crafted, if at times overly austere, study of home and loss.Pub Date: March 4, 2014
ISBN: 978-1-59558-962-0
Page Count: 256
Publisher: The New Press
Review Posted Online: Dec. 21, 2013
Kirkus Reviews Issue: Jan. 1, 2014
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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