A tongue-in-cheek foray for independent sorts—not necessarily younger ones.
Young Clementine has a ball living alone…but then discovers that sharing a home isn’t so bad either.
In a story that may have more meaning for fledgling adults than younger readers, Clementine, portrayed as a light-skinned child—at least in earlier scenes—with a luxuriant spray of orange hair, takes advantage of the sudden disappearance of equally pale parents she considers “ogres” (they’re not) to invent a paint that makes the whole house invisible and, from then on, to do as she pleases. That halcyon time comes to an abrupt end when she leaves the door open after a grocery run and a male lion strolls in to drink milk out of the carton, leave the bathroom a mess, and generally behave like a stereotypical bachelor. Until, that is, Clementine comes out of hiding and the two quickly discover that they’re compatible…so much so that they take up residence together and even strip off the house’s invisibility paint in case the ’rents ever reappear. Plenty of children will find the notion of having a whole house to themselves an appealing one, but both the plotline and stylish detailing in the finely drawn pencil and gouache illustrations suggest that Abbott may have a broader audience in mind from the start. (This book was reviewed digitally.)
A tongue-in-cheek foray for independent sorts—not necessarily younger ones. (Picture book. 6-8)Pub Date: May 3, 2022
ISBN: 978-1-5253-0562-7
Page Count: 48
Publisher: Kids Can
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
Amusing, yes. Useful for reading practice, yes, but not necessarily guaranteed to make new readers the “read-i-est.” (Early...
Elephant and Piggie make an appearance to introduce the first in their new series, an egalitarian introduction to superlatives.
Each one of seven blades of talking grass—of a total of eight—discovers that it is superb at something: it’s tallest, curliest, silliest, and so forth. The humor aims to appeal to a broad spectrum. It is slightly disturbing that one being eaten by purple bugs is proud of being the crunchiest, but that will certainly appeal to a slice of the audience. The eighth blade of grass is grappling with a philosophical identity crisis; its name is Walt, a sly reference to Whitman's Leaves of Grass that will go right over the heads of beginning readers but may amuse astute parents or teachers. Tension builds with the approach of a lawn mower; the blades of grass lose their unique features when they are trimmed to equal heights. Mercifully, they are chopped off right above the eyes and can continue their silly banter. Departing from the image of a Whitman-esque free spirit, Walt now discovers he is the neatest. Lots of speech bubbles, repetition, and clear layout make this entry a useful addition to lessons on adjectives and superlatives while delivering a not-so-subtle message that everyone is good at something. Elephant and Piggie's final assertion that “this book is the FUNNIEST” doesn't necessarily make it so, however.
Amusing, yes. Useful for reading practice, yes, but not necessarily guaranteed to make new readers the “read-i-est.” (Early reader. 6-8)Pub Date: Sept. 20, 2016
ISBN: 978-1-4847-2635-8
Page Count: 64
Publisher: Hyperion
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
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