Acerbic, playful, full of quick-witted philosophy, and unstintingly original, this is a varied and unsettling reader for our...

NIGHT SCHOOL

Award-winning Brazilian/Hungarian essayist, historian, and critic Bán's fiction debut presents itself as a tongue-in-cheek student textbook.

Within dryly titled sections—"French," "Chemistry/Physical Education," "English/Home Economics," "The Foundations of Our Worldview"—strange stories unfold, sprinkled liberally with interjections and assignments for the student: "CALCULATE how many angels can fit on the head of a pin if each angel is approximately 45mm and faithless," or "WHAT is the meaning of allegro, ma non troppo? AND HOW DO WE KNOW when allegro is too troppo?" There is a meditation on the Mathematics of Randomness, a "blog opera" based on Fidelio, a love story found in a bottle on a Borneo beach, an account of the death of Henry Wadsworth Longfellow's second wife. Flaubert travels in Egypt with his friend Maxime, and years later a literary scholar devotes his career to the great writer's "deletions." Lesbian lovers meet clandestinely at a Night Zoo where a tapir "liked to plop right down on the tracks in front of the little zoo train like some despairing heroic lover." Bán inverts the primer model, giving free rein to a restless and inventive intellect and delighting in unexpected angles on the seemingly familiar. Characters from Choderlos de Laclos' Dangerous Liaisons correspond by email, undergo IVF, and meet up in NYC, where their stories intersect with 9/11. In "Drawing/Art History," the strong-willed model for Manet's Olympia dictates her conditions for posing to the artist: "You will never be free of this painting....All your life, you will be successful but wretched." In "Self Help," a teacher instructs her pupils what to do if they find themselves in a tsunami ("Grab your surfboard and paddle out at an angle until you reach the point where the wave is cresting but hasn't yet started to break") or if threatened by domestic assault. An idyllic childhood summer day in "Singing/Music" ends in sexual violence. The roving pedagogical voice is feminist, earthy, erudite, and subversive. "Don't take anything for granted!" the reader is exhorted. "Ask, and ask again!" The book's most moving section, "Teacher's Edition/Russian," is narrated by Laika, the dog sent into space by the Soviet space program in 1957. "This recording is for you, Soviet children, so you can write its message on a sky full of meteors and stardust: THESE PEOPLE ARE ALL GALACTIC LIARS." Later Laika adds, "Learn that accepting the explanation there is no explanation is one of the most difficult and noble lessons."

Acerbic, playful, full of quick-witted philosophy, and unstintingly original, this is a varied and unsettling reader for our varied and unsettling times.

Pub Date: Jan. 15, 2019

ISBN: 978-1-940953-88-5

Page Count: 240

Publisher: Open Letter

Review Posted Online: Nov. 26, 2018

Kirkus Reviews Issue: Dec. 15, 2018

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Reader Votes

  • Readers Vote
  • 27

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2020

  • New York Times Bestseller

  • IndieBound Bestseller

THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

Absolutely enthralling. Read it.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2019

  • New York Times Bestseller

  • IndieBound Bestseller

NORMAL PEOPLE

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth/Crown

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

Did you like this book?

more