For those who learn best through narrative and a certain amount of historical context, Schreiber’s tale will be an excellent...

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FIZZ

NOTHING IS AS IT SEEMS

Debut novelist Schreiber uses the conceit of a naive protagonist and time travel to teach the history of Western physics in this “edu-novel.”

Fizz lives in an “Ecommunity” in Iceland in 2110, a back-to-earth society that has negotiated a complete dissociation from mainstream science and technology. On her 18th birthday, she has the opportunity to experience “the Outside,” and her renegade father just happens to have invented a time machine that can help to answer her burning questions about the natural world, such as: How do the stars move across the sky? What is sound? What causes tides? Over the course of her three-week journey, she meets Aristotle, Galileo, Newton, Einstein, Hawking and many others who explain their theories, leading her, with each visit, to believe that all her questions have been answered, only to realize, upon reflection, that there are a few loose ends that she needs to ask someone else about. She progresses from a mechanical, clockwork universe through the technology of the Industrial Revolution to quantum physics and chaos theory. Schreiber explains the science clearly (readers with a basic knowledge of physics should be able to follow it easily enough); however, as with most didactic novels, the story devolves into a series of lectures. The most successful chapters involve Galileo; Fizz convinces him to take her on as a lab assistant, and as a result, she learns by experiment. Other chapters consist of Fizz showing up at a university, lab or (with Einstein) patent office and asking, “So, [physicist du jour], what are you thinking about these days?” Underlying Fizz’s quest is her nagging worry—Are science and technology forces for good or for evil? Is knowledge worth the price of war, pollution, loss of privacy and information overload? Ultimately, she must decide whether to return to her close but close-minded community or brave the dangerous freedom of the Outside. Or could there be an alternative?

For those who learn best through narrative and a certain amount of historical context, Schreiber’s tale will be an excellent introduction to the basics of Western physics.

Pub Date: July 15, 2011

ISBN: 978-0983396819

Page Count: 520

Publisher: Zedess

Review Posted Online: Oct. 17, 2011

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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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THE NICKEL BOYS

The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 21, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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