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THE SATISFIED INTROVERT

A MEMOIR ABOUT FINDING SAFETY IN AN EXTROVERTED WORLD

An intriguing remembrance that some will find highly relatable.

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In Plumb’s debut memoir, an American recounts the ups and downs of an introverted life that included international travel.

The author says that he was an introvert before he’d even heard the term. In the 1940s, at the age of 4, he ran away from home because he was “overstimulated” by being around his energetic, talkative mother. He preferred time alone, he says—away from people and their loud voices. When he was still very young, he developed ways to appear extroverted like most of his peers. He would break down many tasks, such as presenting a school project in front of a classroom, into a series of steps. He relied on this “winning recipe” for decades, although it wasn’t always successful. His early romances, for example, failed, as girls were attracted to the extroverted “shell” his recipe created but not the bona fide Plumb. He graduated from Stanford University and Harvard Business School and faced the perils of the Vietnam War in the U.S. Army. With his Harvard MBA, he later found work that took him all over the Western Hemisphere, including Chile, Panama, and Florida. He continued to apply his recipe and eventually spotted its flaw: He focused so strongly on specific tasks that he would neglect external circumstances that affected business clients and people in his personal life. Divorce and unemployment made Plumb want to change his way of approaching things. But if he abandoned his recipe, would he be able to finally embrace the introversion that had long defined him?

In these pages, Plumb delivers an engrossing memoir. He writes openly about his love life, as when he tells of learning Portuguese in order to chat with a girl in high school and of dating another girl whose parents apparently didn’t like him at all. His descriptions are often vibrant, as when he tells of walking the streets in Vietnam: “Hundreds of thousands of Vietnamese dressed in plastic sandals and lightweight clothes scooted deftly around chug-holes on Japanese motorbikes. Bombed-out bars stood next to new ones thrown up overnight.” Readers with comparable personality traits will find many of the author’s experiences familiar over the course of the book, as when he deems a chaotic, noisy classroom debate “introvert hell.” He often blames his introversion, however, for failed business ventures and job losses he’s suffered when, in some cases, the results might very well have been unavoidable for an extrovert as well. Still, despite his difficulties, he’s led an undeniably remarkable life; for instance, he worked for a company that the FBI investigated for allegations of stock fraud by executives (who were later cleared of wrongdoing) and for another that was under perpetual threat from Panamanian dictator Manuel Noriega. He also effectively shines a light on his loving parents; his father was Neely Plumb, who produced the soundtrack for The Sound of Music. The author ends with three helpful “tools” that introverts can use to cope in a loud, often crowded world.

An intriguing remembrance that some will find highly relatable.

Pub Date: Feb. 5, 2022

ISBN: 979-8985494105

Page Count: 375

Publisher: Satisfied Introvert LLC

Review Posted Online: Feb. 14, 2022

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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