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WHEN MEMORY DIES

First published in Britain, a novel that movingly details how three generations of idealists try to find meaning and purpose as their country, Sri Lanka, becomes another killing field. The author, born in Sri Lanka, infuses the story with palpable feeling for his country and its plight. Once a place of shared values and tolerance, the tropical island is now riven by sectarian violence as the Hindu guerrillas—“Tamil Tigers”—fight for independence from the majority, the Buddhist Sinhalese. Sivanandan carefully explores the causes of the civil war. He’s often less successful, though, with the characters, most of whom are Tamil. Many seem more like fleshed-out representations of ideas and historical forces than complex human beings. The narrative focuses on three men: Sahadevan, his son Rajan, and Rajan’s stepson Vijay. Sahadevan, who was born in a northern Tamil village where drought and crop failure were endemic, leaves the countryside to get an education, and works for the post office in the last years of British colonial rule. He and his friends are socialists who dream of a fair and just society. Son Rajan, born in 1930, an idealist like his father, becomes a schoolteacher, but during his life, post-independence dreams wither as politicians enrich themselves and cynically foment divisions. When his wife Lali, a Sinhalese, is raped and killed by Sinhalese vigilantes who think she’s a Tamil, he despairingly flees to Britain. And finally Vijay, who is lovingly reared by his old grandparents, joins the rebels as a student, teaches, marries unhappily, and, while trying to save his rapidly disintegrating country, gets caught in the cross-currents and dies near the old family home. At times the melodrama—too many people die on cue—undercuts what is essentially an anguished tale of dying dreams and hopes deferred. Instructive and deeply felt.

Pub Date: May 18, 1998

ISBN: 1-900850-01-X

Page Count: 414

Publisher: Arcadia

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1998

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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