A message of hope that needs more emotional development within its characters.
This YA short story, inspired by the writer’s grandfather, portrays a boy’s struggle to find solace during the Holocaust.
Aharon, an Orthodox Jewish boy, lives in Munich, Germany, sometime after the Nazis have assumed power. Rock-throwing children and a Nazi guard set upon him and his brother, but another boy, Paul, temporarily hides them in his house, where he tends their wounds. Paul’s parents don’t like Jews, and when Aharon returns to thank his rescuer, Paul’s father orders him away. In the square, Aharon finds Paul giving away bread in the street, his goodness shining all the more in contrast with his father. Though Christian, Paul comes over for Passover, where he’s especially interested in the story of five rabbis standing up to the Romans. When Aharon next stops by Paul’s house, it’s been burned to the ground. The whole family was sent to Dachau because Paul helped him. A letter remains with Paul’s encouraging message: “The Yellow Star / Shines like a candle in the dark… / Don’t lose hope…because / you are the hope!” Next, Aharon and his family are sent to a camp, where his mother and father die. Aharon has Paul’s letter, however, which he reads to the other children, providing hope until their liberation. Later, Aharon reconciles with Paul’s father. Debut author Seth, a sixth-grade student, bases this story on his Orthodox Jewish grandfather, Paul Liebskind, though there are few points of similarity beyond unselfishness, as clarified in a short essay by illustrator Barran (The Survival of the Gingerbread Girl, 2015). Paul’s saintliness can make him seem more symbolic than real; for knowledgeable readers, he calls to mind other examples known from history, but as presented, his motives aren’t fully explored. Also, Paul and his family pay a high price for helping Aharon, which the book doesn’t consider. The central metaphor neatly turns the yellow star, a badge of shame, into a symbol of light and determination. The pencil-drawing illustrations are simple, fitting the child-narrator theme.
A message of hope that needs more emotional development within its characters.Pub Date: July 21, 2016
ISBN: 978-1-4602-8664-7
Page Count: -
Publisher: FriesenPress
Review Posted Online: Nov. 14, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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