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RIVER OF ANGELS

A NOVEL OF CULTURAL AND ENVIRONMENTAL CONFLICT

From the Generation of Secrets series , Vol. 1

An absorbing drama with elaborate characters.

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In Rolnick’s (Tattle Tales, 2016, etc.) series starter, a small group of people in Puerto Rico face potential danger after a sex worker is brutally beaten.

Monica, who runs a brothel, doesn’t know where to turn when her employee and friend Carmen is physically assaulted, because Carmen is an undocumented Costa Rican immigrant. Local businessman and coconut-farm owner Carlos suggests taking her to his wife, Rosie, a biologist and healer. Carlos and Rosie’s marriage is troubled; he’s absolutely devoted to his business, and she’s focused on helping those less fortunate, so they’ve gradually grown apart and now live separately. He suspects that Carmen’s attacker is Rosie’s close friend Jesus, who oversees the coconut farm. Jesus sent a secret, cryptic message to another healer, Abuelita, by homing pigeon, implying that a sinister plot was unfolding on the island. Abuelita, in turn, believes that it’s all tied to Carmen’s unknown past in Costa Rica. Meanwhile, two strangers on the island—investors for a condominium project involving Carlos—are making people wary, as well. Things escalate when a dead body is discovered and then subsequently disappears. Rolnick’s story is richly detailed, featuring characters with dense, intriguing backstories. American-born Rosie, for example, lost her Costa Rican father and American mother in a car accident on a mountain road that the local media wrote off as suicide. The author also makes Carlos exceedingly unlikable—a controlling man who disapproves of Rosie’s attire and even blames her for a miscarriage. Although the novel mainly concentrates on melodrama and politics—locals protest the U.S. military’s “bombing practice” on nearby Vieques Island—the understated mystery is solid. Rolnick’s assertive prose generates a slow, steady pace and even moments of poetry: “Teardrops of sadness were meant to be swallowed so that the oceans would fill with only happy tears.”

An absorbing drama with elaborate characters.

Pub Date: July 16, 2018

ISBN: 978-0-9845119-0-7

Page Count: 236

Publisher: Sedro Publishing

Review Posted Online: Sept. 5, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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