Artlessly written albeit painless to read. Newcomer Bardi seems to want to say something about a world informed by...
A twist on the stranger-comes-to-town genre that’s long on plot and short on art, with some extra points-of-view thrown in to ensure novel-length.
Fred Brown was a prophet—and the “Fredian” cultists now all wear plain brown clothes in his honor. This is all we know about the religion of Mary Fred, a girl-cultist who has a supermodel’s bone structure behind all the, well, nothing. M.F. finds herself assigned to a foster home after two of her brothers die from curable diseases and her parents are jailed for neglect. Enter the Cullisons, a late-’90s nontraditional family comprised of spinster mother, valley girl daughter, and druggie uncle. The antics begin. True happiness, it seems, lies somewhere between a cult’s conservatism and the rampant televisionized disaster of suburbia. M.F. is soon watching the worst of daytime TV and even being sarcastic, but just as surely as she begins to change, so do the Cullisons. Before long, they eat dinner as a family unit, sister Heather becomes a productive member of society, and even Uncle Roy does his drugs “more judiciously.” But the fun can’t last forever: the “Big Cat,” a catastrophe predicted by the Fredian Bible, is just around the corner—and if that isn’t enough to rock the boat, a little violence stolen from the real world’s headlines will do the trick. The problem here is in the execution: every time a bit of momentum is established, Bardi shifts to a new first-person narrator, each less relevant than the last. We start with M.F.—so dubbed by hip Heather—and move on through the family. By the time we return to the main character—after a number of tedious, abject subplots—it’s too little, too late.
Artlessly written albeit painless to read. Newcomer Bardi seems to want to say something about a world informed by television, but the story itself is so dependent on television that the strategy founders.Pub Date: Sept. 11, 2001
ISBN: 0-7434-1193-5
Page Count: 304
Publisher: Washington Square/Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2001
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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