A candid portrait of a tarnished moment in film’s last golden age.
The cult-classic filmmaker recounts a life growing up on the mean streets.
New York–born Ferrara might have been a foot soldier for the mob, but “a wise guy is a killer, a made man, and you had to be 100 percent Italian to be in that club.” Scratch Ferrara, whose mother was Irish. His all-Italian father, however, was a wheeler-dealer, an occasional bar owner but “mostly a bookmaker, and it’s a good business unless you start being your own customer.” Perpetually broke, the old man funded Ferrara’s first movie, a porno timed just right for the mid-’70s seedy Times Square market—except it didn’t make much of a stir. (Years later Ferrara discovered the truth behind the financing, and suffice it to say that the old man always worked an angle.) Then Texas Chainsaw Massacre came along, and Ferrara noticed that “by the second weekend there were twice as many people there as week one.” Voilà: The next film was a blood-soaked horror flick. More generic films followed until Ferrara hit his stride, first directing an Elmore Leonard adaptation, then King of New York with the emblematic, supremely weird Christopher Walken. Ferrara is perhaps best known for his film Bad Lieutenant, originally written for Walken in the title role, fortuitously filled by Harvey Keitel. A confessional accompanies his account of the film’s origins and fortunes: “By the time we were making Bad Lieutenant I had a serious crack habit,” Ferrara writes, and in time he came to be addicted to many other substances, including heroin, of which he says, “If you never tried it, don’t….If there is nothing else you take from this book, take that.” Point taken, but there are plenty of other lessons here on how films are made and financed, how they come and go, and how no one knows how they’ll fare once they get to the screen.
A candid portrait of a tarnished moment in film’s last golden age.Pub Date: Oct. 21, 2025
ISBN: 9781668097670
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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