Begley capably brings to life the lost Parisian world where Nadar held court. His outsized personality dominates this...

THE GREAT NADAR

THE MAN BEHIND THE CAMERA

A lively portrait of a photography pioneer who altered the cultural landscape of 19th-century France.

If readers in America know anything about Gaspard-Félix Tournachon (1820-1910), better known as Nadar, it's that he took some penetrating, iconic pictures of French celebrities—Victor Hugo, Balzac, Sarah Bernhardt, and George Sand among them—and perhaps also that he broke new ground in aerial photography by taking his camera and tripod aloft in a hot air balloon. As Begley (Updike, 2014, etc.) reveals in this entertaining biography, these facts hardly suggest the full range of Nadar's involvement in the haut monde of his day. He was also a cultural force, a one-man entertainment industry who spawned a host of imitators. In his early days, he was a young rebel. Along with close friends like the poet Charles Baudelaire and the tormented (and ultimately suicidal) writer Gérard de Nerval, he was a bohemian: young men of exhausted means who lived on the margins of society, borrowing from each other and running up debts. Nadar started his professional life as a writer of hopelessly corny moral tales. Never one to stay in the same place for long, he then became a widely known caricaturist who created a pen-and-ink pantheon of French society under the Second Republic of Louis-Napoleon. Barely did he make a name for himself before giving it up for photography, where he found his calling. He became a master of the new medium, adept at manipulating light and shade. He gained wealthy clients who liked seeing themselves immortalized in their finest clothes; he also helped create what we now know as celebrity culture. He also became rich enough to pursue new and sometimes insanely risky ideas involving flight as well as to fight endless legal battles with the brother who kept stealing his name.

Begley capably brings to life the lost Parisian world where Nadar held court. His outsized personality dominates this enjoyable and amply illustrated volume.

Pub Date: July 11, 2017

ISBN: 978-1-101-90260-8

Page Count: 256

Publisher: Tim Duggan Books/Crown

Review Posted Online: May 16, 2017

Kirkus Reviews Issue: June 1, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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