Dim lights, little city.
Debut about an assistant book editor by a former assistant book editor that isn’t, let’s hope, what current practitioners of the trade mistake for good reading.
Harry’s the low man on the totem pole at Prestige Books (read: Random House, Davies’s former employer). The main focus of Harry’s life is, first, the calendar he’s supposed to be editing, and, second, his girlfriend Evie. Harry’s okay, except for that brief Tony Robbins phase he went through in college and except for the fact that all he can afford for Evie’s birthday is the word “callypigian.” Here, we get to visit his many crazy apartments; we get to listen when he tells us, like a good whistleblower, how starving editors order their own books and resell them to the Strand Bookstore; we hear how editors routinely belittle writers in their “slush” piles; we listen as Harry fantasizes about having Philip Roth blurb one of his books (only after Harry’s book has been promoted—which will never happen); and we watch as he imagines himself, “Like everybody in publishing—or every young person, at least,” as a writer himself, though thankfully he concludes that “Maybe [he’s] not supposed to be a writer.” The main storyline concerns Evie, who loves Harry but dumps him when he slyly sleeps himself laterally through the industry, demeaning Evie’s love even though she’s the Bonnie to his Clyde. Anyway, love is a tiresome idea to Harry—at least until Evie’s gone and then, of course, he has to stalk her until he gets the picture. The rest consists of endless insider jokes and annoying twentysomethings spending a lot of their time talking about nothing and the rest of it lamenting that they haven’t done anything.
Dim lights, little city.Pub Date: Aug. 20, 2002
ISBN: 1-57322-938-5
Page Count: 216
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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