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WHY HOMER MATTERS

Nicolson’s spirited exploration illuminates our own indelible past.

An archaeology of the Homeric mind.

In this gracefully written and deeply informed book, Nicolson (The Gentry: Stories of the English, 2011, etc.), a fellow of Britain’s Society of Antiquaries, excavates the origins of Homer’s magisterial epics, the Iliad and the Odyssey. Arguing against the “current orthodoxy” that both books emerged from the eighth century B.C., the author contends that Homer evokes a much earlier period: Bronze Age Eurasia, around 2000 B.C., when seminomadic warriors of the northern steppes confronted the more sophisticated culture of the eastern Mediterranean. In the north, vicious gangs marauded, while in the south, sailing ships replaced paddled canoes, enabling men to travel farther and faster, infusing the culture with new ideas and goods. “This newly energized world,” writes Nicolson, “is the meeting of cultures that Homer records.” Nicolson sees the Iliad as retrospective, “a poem about fate and the demands that fate puts on individual lives, the inescapability of death and of the past,” while the Odyssey, “for all its need to return home, consistently toys with the offers of a new place and a new life, a chance to revise what you have been given….” Drawing upon archaeological discoveries and teasing out etymological threads, Nicolson finds in Homer’s work “myths of the origin of Greek consciousness” that the West has inherited. He resists the idea that Homer promotes “the sense that justice resides in personal revenge.” Instead, Homer poses transcendent questions: “[W]hat matters more, the individual or the community, the city or the hero? What is life, something of everlasting value or a transient and hopeless irrelevance?” In a universe inhabited by capricious gods, writes Nicolson, Homer offers readers “his fearless encounter with the dreadful, his love of love and hatred of death, the sheer scale of his embrace, his energy and brightness, his resistance to nostalgia….”

Nicolson’s spirited exploration illuminates our own indelible past.

Pub Date: Nov. 18, 2014

ISBN: 978-1-62779-179-3

Page Count: 320

Publisher: Henry Holt

Review Posted Online: Aug. 17, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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