Some interesting ideas in search of a coherent fictional framework.
Her privileged existence shaken up by pornographic pamphlets about her, a woman looks for meaning in a time of radical change.
Coyly partial names (Antoinette, Beaumarchais, Louverture) and the general course of events indicate that Celine struggles to face down her slanderers in the years leading up to the French Revolution, falls afoul of the new government during the Reign of Terror, then wanders off to the Americas, where George Washington oppresses Native Americans, and French revolutionaries fail to live up to their ideals when faced with a slave revolt in Hispaniola. At the same time, Celine and her friends message each other and use anachronistic words like fascist. “Centuries and centuries go by, but everything happens in the present moment,” is apparently Thirlwell’s point, insofar as his all-over-the-map narrative can be said to have a point. An interlude among the Mohawks and a bizarre trip to the moon (“the calendar on the wall in the kitchen was saying that the year was now 2251”) suggest that Celine’s quest involves a desire to live in greater harmony with the natural world, and she muses about women’s lack of power and agency throughout. The uses and nature of language is another thematic undercurrent; Thirlwell definitely isn’t short on ideas. But his tone is so abstract that it’s difficult to engage with those ideas or the people voicing them. A comment by Celine’s daughter, Saratoga, on writers’ limited notions about the future is characteristically opaque: “The true future wasn’t what was about to happen in a month or even a year but the future future, said Saratoga: alien and incommunicable.” Celine’s relationships with the numerous secondary characters milling around her are equally hard to parse. The enigmatic ending is likely to frustrate anyone who hasn’t already been frustrated by a text that seems to go out of its way to be disorienting and alienating.
Some interesting ideas in search of a coherent fictional framework.Pub Date: Oct. 17, 2023
ISBN: 9780374607616
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Simply charming.
A lovable gaggle of competitive quilters attempts to defy the odds.
The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.
Simply charming.Pub Date: Sept. 8, 2026
ISBN: 9798890920461
Page Count: 260
Publisher: Torrey House Press
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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