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BEN HECHT

FIGHTING WORDS, MOVING PICTURES

A cleareyed portrait of an impetuous and multitalented man.

Concise biography of a prominent Hollywood writer who became an outspoken advocate for Jewish causes.

In the Depression era, Ben Hecht (1893-1964) was one of the most famous—and highly paid—Hollywood screenwriters, whose prodigious movie credits include Scarface, Twentieth Century, Spellbound, and Notorious. Essayist and biographer Hoffman (Till We Have Built Jerusalem: Architects of a New City, 2016, etc.) rescues him from historical obscurity in a lively, well-researched addition to the Yale Jewish Lives series. Hecht was the son of Russian immigrants who moved during his childhood from the tenements of New York to Racine, Wisconsin. At 17, he dropped out of the University of Wisconsin and fled to Chicago with no plans except to escape. An uncle finagled a job for him at the Chicago Daily Journal, beginning his career as a reporter that honed his writing skills and inspired his acclaimed 1928 play, The Front Page, co-written with Charles MacArthur. Hecht was a colorful figure in Chicago, consorting with artists and writers who fomented the city’s cultural renaissance and getting his work published in Margaret Anderson’s groundbreaking literary journal, The Little Review. Chicago in the 1920s, one historian remarked, “was the Age of Hecht.” By 1924, he had married, become a father, and left his wife to move, with his lover, to Manhattan, where he dove enthusiastically into the “weeklong benders, wild parties, frantic extramarital coupling,” and heady creativity of Jazz Age America. Hollywood soon beckoned, and Hecht’s “glib wit and knowing insouciance” kept him in demand as a writer and script doctor. Not until 1939, when European anti-Semitism gained international attention, did Hecht embrace his Jewish identity. Although he insisted that “he wasn’t a man of causes,” he made a fervent, vociferous commitment “to the besieged Jews of Europe, to Palestine, and eventually to the state of Israel.” On March 9, 1943, 40,000 people gathered in Madison Square Garden to witness We Will Never Die, a star-studded production—Hecht’s “Jewish passion play”—publicizing the plight of European Jewry.

A cleareyed portrait of an impetuous and multitalented man.

Pub Date: Feb. 12, 2019

ISBN: 978-0-300-18042-8

Page Count: 264

Publisher: Yale Univ.

Review Posted Online: Oct. 27, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BORN SURVIVORS

THREE YOUNG MOTHERS AND THEIR EXTRAORDINARY STORY OF COURAGE, DEFIANCE, AND HOPE

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...

The incredible true story of three Jewish women who survived the Holocaust.

Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.

Pub Date: May 5, 2015

ISBN: 978-0-06-237025-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2015

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