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A CLEAN DEATH

An engaging tale about a banker’s struggles to solve a family mystery.

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A debut novel revolves around one man’s attempts to uncover the circumstances surrounding his father’s murder in a violence-torn Third World country.

Like some strange adult fairy tale, Verheul’s book takes place in an unnamed tropical country filled with such mythical-sounding municipalities as City by the Water. It is a land peopled by characters like Captain Christmas, V6, Skipper Boutique, and Colonel Neptune. When Johan’s banker son, Oliver, first arrives, he finds everyone to be friendly and helpful; they seem genuinely sad about his father’s death. But as time passes, Oliver realizes that they all have their own motives; everyone wants money from him; and no one can or wants to really explain what happened. Lost in the exigencies of protocol, politics, and public relations, Oliver tries to follow the money trail. He learns his father had an unusually large amount of money in the bank. He discovers that Johan was the lead man on the Disarmament and Stabilization Program, a scheme to trade farm implements and other domestic items to the terrorist followers of Christmas in exchange for turning in their guns. Oliver also flirts with a woman who may or may not have been involved romantically with his father. Meanwhile in the U.S., Davey, an unemployed gun fanatic, learns about the DSP. Convinced this is a plot to take away everyone’s guns, Davey heads to the unnamed country on the dime of a barroom of fellow gun enthusiasts to convince Christmas he should keep his weapons. In this story that is part mystery, part thriller, and part introspective examination of personal values, Verheul has a real eye for how money and corruption affect the day-to-day life in a Third World nation. The author establishes believable characters, humor, and pathos in his well-paced tale through concise and efficient writing (“Christmas often wondered how the army had never been able to find them. They had tried, though. They flew helicopters over the forest—that is, if they could pay for fuel—and sent out patrols to find their base. But the forest had become their ally”). Verheul also manages to bring the distinctive cast of characters to several individual and credible epiphanies. This lively and enjoyable read should appeal to those who prefer their action thrillers with a literary twist and those who take theirs neat.

An engaging tale about a banker’s struggles to solve a family mystery.

Pub Date: N/A

ISBN: 978-0-692-04769-9

Page Count: 320

Publisher: CreateSpace

Review Posted Online: Dec. 15, 2017

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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