Mostly frosting, not nearly enough cake.

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THE COAST OF AKRON

Inflamed artistic temperaments and miscellaneous relationship issues preoccupy two generations of immediate and extended families—in a crowded debut by Esquire’s literary editor.

Somewhat contentedly married Merit Ash stoically endures her Mr. Fixit husband Wyatt’s finicky perfectionism, while performing her tasks for local regional magazine Ohio Is without tumbling too quickly into bed with sexy slacker co-worker Randy. Nor does Merit lack other baggage, most of it inherited from her father, Lowell Haven, a flamboyant artist best known for his absurdly egocentric “self-portraits” (Lowell as the Wife of Bath and other Canterbury Pilgrims, Lowell Crucified with Cow Crucified Next to Him, etc.), and mother Jenny, herself a painter, long divorced from Lowell, whose imagined grisly deaths dominate many of her canvasses. We learn their histories through omniscient narration of Merit’s increasingly distracted misadventures; excerpts from Jenny’s diary detailing her flight to London in the 1970s, “work” as a woefully unqualified au pair for a bisexual rich twit’s family, and fateful meeting with dashing young Lowell; and the très gai effusions of real estate heir Fergus Goodwyn, who was Jenny’s high school confidant, and now lives with his lover Lowell (and other spongers) at On Ne Peut Pas Vivre Seul, a 65-room mansion smack in the middle of the Ohio heartland, that’s a cross between Fawlty Towers and Michael Jackson’s Neverland. The story’s actions (so to speak) are focused toward a lavish climactic party, at which it seems perfectly reasonable when the Ashes’ preadolescent daughter Caroline arrives costumed as Caligula, and no big deal when Jenny reveals what’s meant to be a bombshell but in fact strikes us as simply further calculated eccentricity. It’s all funny for a while, but eventually the reader feels as if trapped at an endless cocktail party, pinned in a corner with Truman Capote, Nancy Mitford and Alec Guinness as Gully Jimson in The Horse’s Mouth.

Mostly frosting, not nearly enough cake.

Pub Date: May 4, 2005

ISBN: 0-374-12512-0

Page Count: 400

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2005

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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