Life in the immediate aftermath of slavery is powerfully rendered in this impressive first novel.
An engrossing debut novel explores the lives of emancipated slaves struggling to survive in the years just after the Civil War.
Atakora’s historical novel is set on a ruined plantation in the rural South so remote that its black inhabitants have rarely seen white people in the years since the war ended. In some ways, freedom hasn’t yet changed their lives; with few resources and little knowledge of the outside world, most of them have remained on the land they used to work for the late Marse Charles. The book’s protagonist is a young woman named Rue. She is the town’s midwife and healer, having learned her skills from her mother, Miss May Belle, who was beloved and trusted by her neighbors (and occasionally called upon to cast curses). After her mother’s death and amid the chaos that follows the war, Rue reluctantly takes May Belle’s place. Although Rue has lived among them all her life, the townspeople begin to turn against her after she delivers a baby for a woman named Sarah. Born with a caul, pale skin, and strange black eyes, the boy, called Bean, unnerves them. Then other children fall ill; despite Rue’s herbs and tinctures, some die, and whispers spread—is she a healer or a witch? The townspeople turn for comfort to a charismatic itinerant preacher called Bruh Abel, and Rue must decide whether he’s an adversary or an ally, all while keeping a dangerous secret. Based in part on narratives of formerly enslaved people gathered by the Works Progress Administration in the 1930s, the novel gives its characters complex lives, rendered in well-crafted prose. Although Atakora writes of such horrors as lynchings, beatings, and rapes, most of her story focuses on the intense relationships among people trying to make sense of a world turned upside down. Mother-child relationships, especially, are at the center of the book. Using frequent flashbacks to “slaverytime” and “wartime” and occasional jumps to the future, Atakora structures a plot with plenty of satisfying twists.
Life in the immediate aftermath of slavery is powerfully rendered in this impressive first novel.Pub Date: March 17, 2020
ISBN: 978-0-525-51148-9
Page Count: 416
Publisher: Random House
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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