An engrossing and finely detailed Viking story.
This second installment of a historical fiction series continues the saga of a Viking woman in North America.
In the late 10th century, Thora Thorvinnsdottir, a Norse settler of Greenland, finds herself stranded on the shores of Westland. Her estranged husband, Ivar Ulfson, and his crew abandoned her during an attack by the natives, leaving Thora alone with only an injured Westlander captive named Elkimu as well as two horses and a dog. Through the winter, Thora catches fish and birds to sustain them, wondering—with some chagrin—why the attractive Elkimu has not made any sexual advances. They hope to build a skin boat from seal hides in order to make it to the man’s Westland home, the island of Unamakik, before they are discovered by the Cliff Dwellers—a rival clan led by Elkimu’s disgraced uncle, Taqtaloq. The unusual pair reaches Elkimu’s island home, and his people welcome Thora into their community. After learning their ways, she formally becomes Elkimu’s wife. Thora finally has something like the life she imagined when she left her native Iceland. But when Norsemen again appear along the shores of Westland, the past returns to haunt Thora in unwanted ways. In this sequel to The Sun Road (2014), Kamminga’s prose is rich and balanced, selling not only the remote setting, but also Thora’s experiences in Westland: “Apikji, the mouse boy, was straining to pull a toboggan loaded with sap-filled containers to the steaming log cauldron by the stream. Behind him came Amu’s sons who had been checking their snares, each dangling a frozen pair of snared snowshoe hares by the hind legs.” The novel manages to work within the realm of the historical while retaining the mystical worldview of its characters and concocting a few turns that readers will not expect. The experience of seeing a re-creation of North American life around the turn of the first millennium is alone worth the price of admission, and the love story between the two unlikely spouses provides a satisfying conclusion to Thora’s difficult tale. Unlike many of the other Norse, who seek to profit from the resources of these new lands, Thora is a recognizable archetype of that more idealistic sort of migrant: the one who is simply looking for a place to belong.
An engrossing and finely detailed Viking story.Pub Date: N/A
ISBN: 978-1-5255-7708-6
Page Count: 175
Publisher: FriesenPress
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
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