A lyrical description of a family’s search for their daughter and for their humanity.
Debut author Zilelian’s story follows a family of Armenian immigrants struggling to adapt to the American way of life while also contending with traditional coming-of-age conflicts.
While navigating issues of immigration and cultural assimilation, the family struggles with its own inner dysfunction: two parents embroiled in an unhealthy relationship, a missing daughter, and another daughter desperately grappling with the disappearance of her sister. As more characters become involved in the drama of finding Araxi, the family is forced to begin communicating. Though painful, this communication breaks open new opportunities for growth. Told in third person, the novel shifts to a new character in each chapter, allowing for the slowing of time and a careful view of how each character’s life is affected by the developing plot. Concrete details—ragged robes, chipped coffee mugs, leaky toilets, and worn, old music boxes—bring the domestic landscape to life, offering more than just a generic suburban family for the reader to hear, see, and sometimes smell. Voices are unique, from the annoyed, depression-dulled voice of the mother to the feeble, yet intelligent, voice of Sophie, the younger daughter. Sophie’s fascination with Araxi and her sister’s companion, Cecile, comes through in her thoughts: “She pictured them walking alongside each other, Araxi with her long dark hair and brown eyes, hands shoved in her pockets, and Cecile with her shoulders thrown back, and her waist length blond hair tied in a high ponytail.” The story shifts back and forth from the narrative of the family, aching for information about Araxi, to the journey of Araxi and Cecile, both of whom have run away and must face obstacles on the road, at motels, and with one another.
A lyrical description of a family’s search for their daughter and for their humanity.Pub Date: March 3, 2015
ISBN: 978-0990573227
Page Count: 200
Publisher: BH Publications Pte Ltd.
Review Posted Online: Jan. 14, 2015
Kirkus Reviews Issue: April 1, 2015
Review Program: Kirkus Indie
PERSPECTIVES
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PROFILES
PERSPECTIVES
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