From Chinese-American writer Liu (Face, 1994, etc.), a riveting, bittersweet second novel about a marriage tested by race, culture, and history as an American woman and her Chinese husband navigate the treacherous waters of politics in the pre-Mao years. Loosely based on Liu's own grandparents' experience, the story begins in 1941 when Hope Newfield, living in Los Angeles, receives a three-year-old letter from her husband in China asking if she still has a place in her heart for him. The letter moves Hope to look back over the events that brought the couple together and tore them apart. They had met in 1906, when she was living in Oakland and tutoring Chinese students. Leong Po-yo, a new pupil, is the only son of a noble family and a follower of Dr. Sun Yat-sen. Teacher and student are soon attracted to each other, and when Leong rescues Hope after the 1906 earthquake, they admit their love and decide to marry. They do so in Evanston, Wyoming, one of the few towns that allows ``mixed'' marriages, but they're quickly subject to racial slurs from both Americans and Chinese. Still, life is sweet, and the first of several children are born; but then, in 1911, revolution breaks out in China and Leong hurries back, followed shortly by Hope. From then on, their lives are shaped by Leong's political activities. Hope becomes a photographer and journalist; she and her children are shunned by both Chinese and European society. The marriage is further tested when China is pulled apart by civil war. Dispirited, Hope returns with her children to California in 1932, and though she goes back in 1942 in response to Leong's letter, she accepts that the two of them, victims of time and place, will always be ``separate and distinct.'' A moving tale of true love, besieged by politics and prejudice, that nonetheless survives the tumultuous times Liu so vividly and intelligently describes.
Pub Date: June 26, 1997
ISBN: 0-446-51987-1
Page Count: 368
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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