Beautiful, rare, and touching: Kennedy handles extremely volatile material with the greatest care, never once sinking into...
American debut by Scottish prizewinning novelist Kennedy: a strange, evocative tale of the unlikely romance between two troubled and lonely people.
Helen Brindle suffers from the sort of emotional destitution that seems to exist only in the British Isles. A middle-aged housewife in Glasgow, married to a perfect brute, she endures her lot meekly but not hopelessly, waiting rather than looking for the means of escape: "She had never sought the temporary comfort of childhood hymns, of absolution, or even of very lovely Mysteries. Mrs. Brindle had only wanted someone who understood, a person who would tell her what was wrong and how to right it." When she hears a German psychiatrist, Edward E. Gluck, on the BBC discussing the "cybernetics" of sexual and mental health, Helen feels she may have found her guide. She reads some of the Professor's books and goes so far as to write him. Incredibly, he replies, and soon Helen is on her way to Stuttgart for a consultation. Helpful and attentive in his formal German manner, the Professor becomes more of a friend for Helen than therapist, and he even comes to visit her in Glasgow - where he reveals to her that he suffers from a compulsive obsession with pornography and masturbation, and that this has gutted his career and destroyed his capacity for normal human relations. Helen, suffering as much from her loss of religious faith as from her miserable marriage, finds herself more sympathetic than shocked, and she encourages the Professor to rebuild his life. Her husband's brutality, however, increases to the point of madness, and Helen has to find a way of saving herself and the Professor both. Or can they manage to save each other?
Beautiful, rare, and touching: Kennedy handles extremely volatile material with the greatest care, never once sinking into bathos or perversity. A small gem.Pub Date: Jan. 1, 1999
ISBN: 0-375-40272-1
Page Count: 224
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1998
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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