A country's fraught history comes vividly to life through a child's eyes.
An ingenuous young teenager is thrust into a nation's chaos.
Novelist, poet, and essayist Mabanckou returns to his native Congo in a gentle tale translated by Stevenson. At once charming and disquieting, the novel is narrated by Michel, who lives with his mother and Papa Roger, his adopted father, in the town of Pointe-Noire. A student at the Three-Glorious-Days middle school, Michel is given to daydreaming and making innocent remarks that discomfit some people. He tries to censor himself, reflecting, “people will say Michel always exaggerates, and sometimes he says rude things without meaning to.” His world is inhabited by evil spirits, river monsters, superstition, and fierce animosity between northerners and southerners. He learns that whites and black capitalists exploit Congolese, that other African nations—especially Zaire—are trying to wage war, create chaos, and steal Congo’s oil; he knows that colonization has victimized Africa; and he is a fervent supporter of the Congolese Socialist Revolution. Whatever he learns of life beyond Pointe-Noire comes from Papa Roger, who works at the posh Victory Palace Hotel, where he has gleaned a measure of sophistication about world events. On his static-filled radio, Papa Roger prefers to listen to the Voice of America rather than the Voice of the Congolese Revolution. The critical event of Michel’s young life occurs on March 18, 1977, when the nation learns that President Marien Ngouabi has died: Gossip swirls, and quickly the streets fill with military vehicles. Michel has been taught to revere Ngouabi: “It was Marien Ngouabi who changed our national anthem, our flag, and who laid out the path of scientific socialism we follow today....” The assassination upends Michel’s world, and in the ominous atmosphere that ensues, he comes to understand his country’s politics, and his own family’s involvement, in disquieting new ways.
A country's fraught history comes vividly to life through a child's eyes.Pub Date: Sept. 1, 2020
ISBN: 978-1-62097-606-7
Page Count: 256
Publisher: The New Press
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
PERSPECTIVES
A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.
A travel writer has one last shot at reconnecting with the best friend she just might be in love with.
Poppy and Alex couldn't be more different. She loves wearing bright colors while he prefers khakis and a T-shirt. She likes just about everything while he’s a bit more discerning. And yet, their opposites-attract friendship works because they love each other…in a totally platonic way. Probably. Even though they have their own separate lives (Poppy lives in New York City and is a travel writer with a popular Instagram account; Alex is a high school teacher in their tiny Ohio hometown), they still manage to get together each summer for one fabulous vacation. They grow closer every year, but Poppy doesn’t let herself linger on her feelings for Alex—she doesn’t want to ruin their friendship or the way she can be fully herself with him. They continue to date other people, even bringing their serious partners on their summer vacations…but then, after a falling-out, they stop speaking. When Poppy finds herself facing a serious bout of ennui, unhappy with her glamorous job and the life she’s been dreaming of forever, she thinks back to the last time she was truly happy: her last vacation with Alex. And so, though they haven’t spoken in two years, she asks him to take another vacation with her. She’s determined to bridge the gap that’s formed between them and become best friends again, but to do that, she’ll have to be honest with Alex—and herself—about her true feelings. In chapters that jump around in time, Henry shows readers the progression (and dissolution) of Poppy and Alex’s friendship. Their slow-burn love story hits on beloved romance tropes (such as there unexpectedly being only one bed on the reconciliation trip Poppy plans) while still feeling entirely fresh. Henry’s biggest strength is in the sparkling, often laugh-out-loud-funny dialogue, particularly the banter-filled conversations between Poppy and Alex. But there’s depth to the story, too—Poppy’s feeling of dissatisfaction with a life that should be making her happy as well as her unresolved feelings toward the difficult parts of her childhood make her a sympathetic and relatable character. The end result is a story that pays homage to classic romantic comedies while having a point of view all its own.
A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.Pub Date: May 11, 2021
ISBN: 978-1-9848-0675-8
Page Count: 384
Publisher: Berkley
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
SEEN & HEARD
SEEN & HEARD
PERSPECTIVES
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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