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MOLOKA’I

Not a comfortable read, but certainly instructive.

A gritty story of love and survival in a Hawaiian leper colony: more a portrait of old Hawaii than a compelling narrative.

The chronicle of leprosy-infected Rachel Kalama begins in 1891 in Honolulu and ends in the late 1960s on isolated Moloka’i, site of the Kalaupapa Leprosy settlement. As much a record of her life as of the changes in Hawaii itself over the years, screenwriter and fantasy author Brennert (Her Pilgrim Soul, 1990, etc.) vividly and graphically details both the landscape and the disease as he tells Rachel’s story. She’s five at the start, when her father, a sailor, comes back in time for Christmas with another doll for her collection and gifts for her older siblings Sarah, Ben, and Kimo. A few months later, Rachel is found to have leprosy, and the happy life the family has enjoyed ends. Considered dangerously contagious, Rachel is sent to the settlement on Molaka’i. There, in a hospital run by Catholic nuns, she lives with other young girls affected in varying degrees. As the years pass, Rachel’s friends die; she befriends Sister Catherine, whose affection will sustain her; but, with the exception of her father, she has no contact with her family. Poor Rachel is doomed not only to suffer horribly but also to bear witness to history: a history that includes the end of the monarchy, the US annexation, the arrival of movies and airplanes, the Depression, and Pearl Harbor. Brennert also details changes in the treatment of leprosy—herbal injections, surgery, and, finally, the cure in the 1940’s: sulfa derivatives. While Hawaii changes, Rachel grows up, falls in love, and marries Kenji, a fellow patient. She bears a daughter, but Ruth must immediately give the child up for adoption to avoid infection. Amid the heartbreak, Kenji is murdered and Rachel’s symptoms worsen (she loses the fingers of her right hand). Rachel, though, is a survivor, and unexpected reunions compensate as she returns to a much-changed Honolulu.

Not a comfortable read, but certainly instructive.

Pub Date: Oct. 1, 2003

ISBN: 0-312-30434-X

Page Count: 400

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2003

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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