These 38 stories, almost all short-shorts, were originally chosen by the PEN Syndicated Fiction Project to be published in newspapers and read aloud on ``The Sound of Writing,'' an NPR program. Solid work from a mixture of literary celebrities and relative unknowns more than make up for an overall slightness (dictated by the restricted format). The stories, limited to 2500 words, are intended, according to Marshall, to return fiction ``to the pages of Sunday magazines....'' Many of the pieces from brand-name writers are satisfying, if limited. Edward Abbey's ``Drunk in the Afternoon'' 2is an amusing sketch: ``Getting Drunk in the afternoon was something I once did on a regular weekly basis for many years.'' John Updike's ``The Football Factory'' is a densely detailed description from the point of view of a visiting dignitary; Joyce Carol Oates's ``Where Is Here?,'' a taut Kafkaesque drama, concerns a stranger who visits his childhood home and the family who now reside there. Some of the writers seem cramped by the word-count, but others, those who usually work in lyrical prose, are right at home: Rick Bass's ``Heartwood,'' about two wild boys who take to spiking trees, is typical of such pieces in the way it manages to render a closely observed instance and come to a summarizing epiphany: ``In the end, it all comes down to luck. Remember this and be grateful, be frightened.'' Since more than 2000 manuscripts were submitted to the PEN competition, luck and previous reputation had a good deal to do with what appears here. Though the short-short form is more conductive to light humor, limited effects, and luminous prose than to sea changes or tragic range, the best of these bathe the world, as Louise Erdrich's own quasimystical offering asserts, ``in a great surge of forgiving radiance.''
Pub Date: Nov. 1, 1991
ISBN: 0-385-41670-9
Page Count: 256
Publisher: Anchor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
