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THE LINE OF BEAUTY

A beautifully realized portrait of a decade and a social class, but without a well-developed emotional core.

Britisher Hollinghurst (The Spell, 1998, etc.) isn’t shy: At 400-plus pages sprinkled with references to Henry James, his fourth outing aspires to the status of an epic about sex, politics, money, and high society.

Though he’s best known for his elegant descriptions of gay male life and pitch-perfect prose, Hollinghurst is most striking here for his successful, often damning, observations about the vast divides between the ruling class and everyone else. It’s 1983, and narrator Nick Guest, age 20, is literally a guest in the household of Conservative MP Gerald Fedden, whose son, Toby, Nick befriended at Oxford. Given an attic room and loosely assigned the task of looking after the Feddens’ unstable manic-depressive daughter Catherine, Nick is given entrée into a world of drunken, drug-laced parties at ancestral manors, high-stakes financial transactions, and politicians all obsessed with catching a glimpse of “The Lady”—Thatcher herself (who finally does make a cameo—hilariously—toward the end). Nick pursues his studies in James (though they may seem overkill in a novel already so saturated in the Jamesian) and his search for love—with a young Jamaican office worker, then with a closeted and cokehead Lebanese millionaire—though, as becomes clear, both his scholarship and sexuality are painfully peripheral in the world he’s chosen to inhabit. Oddly, Nick is less interesting as a character than as an observer: His youthful affairs do gain gravitas as the ’80s progress under the specter of AIDS, but over the story’s course he goes from a virginal 20-year-old to a wizened 24-year-old. More fascinating are Hollinghurst’s incisive depictions of the brilliance and ease that insulate and animate the Feddens—especially the witty and difficult Gerald and the spectacular mess that is Catherine.—and the crushing realization that Nick, unlike those around him, does not have the casual luxury to crash up his own life and survive.

A beautifully realized portrait of a decade and a social class, but without a well-developed emotional core.

Pub Date: Oct. 1, 2004

ISBN: 1-58234-508-2

Page Count: 448

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2004

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ALL THE SUMMER GIRLS

A good beach read, set in a beach town.

A fast-paced novel about the enduring friendship of three young women who spent their summers in Avalon on the Jersey shore before dispersing across the country.

The book opens with Kate, now a lawyer in the girls’ original hometown of Philadelphia. Kate’s fiance, a man she met in law school, breaks up with her the same day she learns she is pregnant with their baby. Then we meet Vanessa, now living in New York City. Vanessa has given up her career as an art dealer in the city to raise her daughter Lucy and is struggling with her husband’s confession that he recently came close to cheating on her. Then we meet Dani, an aspiring novelist who has just lost her job in a bookstore in San Francisco. Dani is still dealing with drug and alcohol addictions and is still looking for Mr. Right. When the three decide to get together and spend the 4th of July holiday back in Avalon, they are each haunted by memories of Kate’s twin brother, Colin, who tragically drowned there eight years earlier when they were all on the cusp of adulthood. Woven into the mystery of Colin’s demise are other issues of childhood that influenced each of the young women. As they look back on the painful past and flirt with future opportunities, the women finally share the secrets they had kept all those years, forgive one another and prepare themselves to move on in positive ways. 

A good beach read, set in a beach town.

Pub Date: May 21, 2013

ISBN: 978-0-06-220381-6

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: March 16, 2013

Kirkus Reviews Issue: April 1, 2013

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HOT SPRINGS

Natural storyteller Hunter knows the value of the occasional poignant scene to give his firefights breathing room. Not for a...

In the category of slam-bang, testosterone-laden, body-bag filling, hellzapoppin' potboilers, this is as good as it gets.

For those who may have wondered about the gene pool that helped produce master sniper Bob Lee Swagger, the author's demigod of a series hero (Time to Hunt, 1998, etc.), here's the tell-all prequel. Earl Swagger, valiant marine, Congressional Medal of Honor winner, is Bob Lee's demigod of a daddy. We also meet Bob Lee's brave and beautiful mama. It's the summer of 1946, and Hot Springs, Arkansas, is under the thumb of gangster Owney Maddox, who has a dream: he wants to refashion Hot Springs into an oasis of sin, a place where Meyer Lansky, Lucky Luciano, Bugsy Siegel, et al., will feel safe, comfortable, and cosseted. He’s halfway there. On the surface Special Prosecutor Fred C. Becker doesn't seem much of a deterrent, but Becker has a dream too: he wants to be Arkansas's youngest governor ever. Moreover, he has a plan: to bring Owney down by recruiting and training an elite task force that can strike hard, fast, and ruthlessly. Earl Swagger—who better?—is charged with the training. At first, things go right. The recruits are eager and motivated. Aided by the element of surprise, they deliver a series of blows that shake the Maddox realm to its Sodom-like foundations. But then Maddox, with the whole of New York gangsterdom to draw from, recruits his own elite force. The stage is set for blood-drenched confrontations, during which lots of bad men are killed, some good men are betrayed, and Earl performs exactly the way Bob Lee's progenitor should.

Natural storyteller Hunter knows the value of the occasional poignant scene to give his firefights breathing room. Not for a minute to be taken seriously, but, all in all, a blast.

Pub Date: July 3, 2000

ISBN: 0-684-86360-X

Page Count: 480

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

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